Charlie Chaplin's ' "Texas - Bound for Texas Instrumental" was released on its scheduled release date, 1959. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 24 in the song's album "The Pilgrim (Original Motion Picture Soundtrack) [The Chaplin Revue]". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. The popularity of Texas - Bound for Texas Instrumental is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Texas - Bound for Texas Instrumental by Charlie Chaplin having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Night Watchmen / Skating / Intruders (Orch. E. Powell & D. Raksin) | NDR Radiophilharmonie, Timothy Brock | A Minor | 1 | 8A | 81 BPM | ||
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
| Solace - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | F Major | 2 | 7B | 107 BPM | ||
| MELODIA INFINITESIMALE | FRANK LAGANA' SICARI | F Major | 2 | 7B | 74 BPM | ||
| Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
| Seul Ce Soir | Swing 41, Jørgen Martinsen, Peter Williams, Martin Walker, Flemming Honig | A Minor | 3 | 8A | 141 BPM | ||
| Millones de Realidades | Sirenas Celestiales | G Major | 1 | 9B | 98 BPM | ||
| Les week-ends | Grégoire Hetzel | B♭ Minor | 1 | 3A | 130 BPM | ||
| La Vita e Bella - Arr. Bacalov: La Vita e Bella - Theme (Arr. Bacalov) | Nicola Piovani, Elysium, Andrea Griminelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Luis Bacalov | C Major | 6 | 8B | 128 BPM | ||
| La mamma (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
| Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
| The Harmonica And The Waltz | Manos Hadjidakis | B Minor | 1 | 10A | 170 BPM | ||
| Locura Atractiva | Sirenas Celestiales | A Major | 1 | 11B | 109 BPM | ||
| Ritornello dell’intervista | Nicola Piovani | B Minor | 5 | 10A | 113 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Angry Mia | Mia Brentano, Andy Miles | B Minor | 0 | 10A | 178 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
| Licenziamento | Fabio Amurri | A Minor | 1 | 8A | 76 BPM | ||
| Hotel Exterior | Original Soundtrack | E♭ Major | 3 | 5B | 87 BPM | ||
| Maigret (Granada TV) | Nigel Hess, The London Film Orchestra, Olive Simpson | G Minor | 2 | 6A | 174 BPM | ||
| La vita è bella: Grande Hotel Valse | Nicola Piovani, Claudio Ballabio | D Minor | 2 | 7A | 103 BPM | ||
| El Tercer Hombre - Remastered | Anton Karas | G Major | 4 | 9B | 156 BPM | ||
| Glamor Waltz | Valeriy Antonyuk | E♭ Major | 4 | 5B | 90 BPM | ||
| The Three Themes (From 'Mon Oncle') | Alain Romans, Franck barcellini | E♭ Major | 3 | 5B | 92 BPM |