Paul Mauriat's 'Inch Allah' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Inch Allah's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Blooming Hits by Paul Mauriat. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Inch Allah is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Inch Allah by Paul Mauriat is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charade | Pierre Charlon | A Minor | 2 | 8A | 78 BPM | ||
| Something Stupid | Gary Freeman | F Major | 4 | 7B | 102 BPM | ||
| Nadia's Theme | Pierre Charlon | A Minor | 2 | 8A | 78 BPM | ||
| Perfidia | Mantovani y Su Gran Orquesta | C Major | 4 | 8B | 108 BPM | ||
| Theme From A Summer Place | The British Ballroom Players | F Major | 3 | 7B | 182 BPM | ||
| Amapola / Siete Notas de Amor | Orquestra Românticos de Cuba | C Major | 7 | 8B | 114 BPM | ||
| Never On Sunday | Percy Faith & His Orchestra | G Major | 3 | 9B | 134 BPM | ||
| El Tema del Tercer Hombre (The Third Man Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | C Major | 4 | 8B | 122 BPM | ||
| Cuando Me Enamoro | Aldo Livorno Y Su Acordeón Napolitano | D Minor | 3 | 7A | 80 BPM | ||
| Morir de Amor | Bodas y 15 Años | D Minor | 5 | 7A | 151 BPM | ||
| Roman Guitar - Alternate Take | Tony Mottola | D Minor | 3 | 7A | 80 BPM | ||
| Never Never Never | Botticelli | D♭ Major | 3 | 3B | 94 BPM | ||
| Woman In Love | Pierre Charlon | E Minor | 4 | 9A | 88 BPM | ||
| Sinfonie Nr. 40 - 1. Satz: Allegro Molto | Alfred Hause | G Minor | 4 | 6A | 97 BPM | ||
| GreenSleeves | Joaquin Borges, National Philarmonic Orchestra | E Minor | 1 | 9A | 80 BPM | ||
| Besame Mucho / Dos Almas | Orquestra Românticos de Cuba | D Minor | 6 | 7A | 121 BPM | ||
| Éxodo | Aldo Livorno Y Su Acordeón Napolitano | D Minor | 3 | 7A | 80 BPM | ||
| Le temps des fleurs | Jean Claude Borelly | A Minor | 5 | 8A | 122 BPM | ||
| Nocturne in E Flat Major Op.9 No.2 | Carmen Cavallaro | D Minor | 3 | 7A | 80 BPM | ||
| Yesterday | Pierre Charlon | E Minor | 4 | 9A | 88 BPM | ||
| Twilight Time - Remastered | Norman Candler, Norman Candler Magic Strings | G Major | 4 | 9B | 66 BPM | ||
| Chariots de feu | Caravelli | D♭ Major | 3 | 3B | 138 BPM | ||
| Fur Elise | Frank Mills | E Minor | 1 | 9A | 76 BPM | ||
| Volare | Aldo Livorno Y Su Acordeón Napolitano | D Minor | 3 | 7A | 80 BPM | ||
| No Llores Por Mi Argentina | Henry Dubois | C Major | 3 | 8B | 172 BPM |