On March 1, 2022, the song "Mahaveer Ativeer" was released by Ravindra Jain. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Namo Namo Mahavir". In this album, this song's track order is #14. Furthermore, we believe that the track originated from India. Based on our statistics, Mahaveer Ativeer's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mahaveer Ativeer by Ravindra Jain having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Raksha Karo Bajrangbali | Babla Mehta | E Major | 7 | 12B | 132 BPM | ||
| Sukh Ke Sab Saathi | Mohammed Rafi | A♭ Minor | 6 | 1A | 82 BPM | ||
| Nagari Ho Ayodhya Si | Sadho The Band | F Major | 7 | 7B | 92 BPM | ||
| Hey Gopal Krishna Karu Aarti Teri | Chetna | B♭ Minor | 5 | 3A | 123 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Pinjare Ke Panchhi | Hari Bharwad | D♭ Major | 7 | 3B | 107 BPM | ||
| Geeta Gyan 20 - Mere Bhakt Ka Nash Na Ho Kabhi Meri Kripa Se Mukti Wo Paye | Ravindra Jain | G Major | 2 | 9B | 98 BPM | ||
| Asur Nikandan Bhay Bhanjan Kuch Aan Karo | Varshil Pandey, VP | A Major | 8 | 11B | 105 BPM | ||
| Mere Malik Ke Darbar Mein | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 129 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Yahan Wahan Jahan Wahan | Pradeep Kumar | A♭ Major | 3 | 4B | 128 BPM | ||
| Jai Jai Bajrang Bali | Mahendra Kapoor, Aziz Nazan Qawwal, Kalyanji-Anandji | F♯ Minor | 7 | 11A | 94 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Racha Hain Srushti Ko Jis Prabhu Ne | Manoj Mishra | F Minor | 7 | 4A | 110 BPM | ||
| Daasi Hu Teri Shyama | Sadhvi Purnima Ji | D Major | 7 | 10B | 103 BPM | ||
| Machhli Viyani Dariya Na Bet | Hari Bharwad | G Minor | 8 | 6A | 105 BPM | ||
| Durga Hai Meri Maa | Mahendra Kapoor, Minoo Purushottam, Laxmikant–Pyarelal | D Major | 7 | 10B | 94 BPM | ||
| Mera Chota Sa Sansar | Mridul Krishan Shastri | B♭ Minor | 8 | 3A | 82 BPM | ||
| Shirdi Wale Saibaba | Shailendra Bharti | G Major | 7 | 9B | 96 BPM | ||
| Raghupati Raghav Raja Ram Original | Kavita Raam | D Major | 6 | 10B | 80 BPM | ||
| Jaikaara Sheranwali Ka | Sonu Nigam, Babla Mehta | E Minor | 5 | 9A | 105 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM |