Tony Martin's 'More' had a release date set for June 30, 2008. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. More's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "The Collection, Vol. 2". In this album, this song's track order is #4. In terms of popularity, More is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With More by Tony Martin having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gonna Get Along Without Ya Now | Teresa Brewer | A♭ Major | 4 | 4B | 78 BPM | ||
| As Time Goes By | Rudy Vallee | A♭ Major | 2 | 4B | 81 BPM | ||
| Pavement Prophets | JAY 1STOCK | F Major | 1 | 7B | 119 BPM | ||
| Heart & Soul | Mel Torme & The Mel-Tones | E♭ Major | 0 | 5B | 90 BPM | ||
| Taking a Chance on Love | Anne Shelton | G Major | 2 | 9B | 168 BPM | ||
| Mama Rosa | Julius LaRosa | B Minor | 4 | 10A | 135 BPM | ||
| The Music Man: Till I Met You (1950 mono recording) | Eileen Wilson, Meredith Willson Orchestra, Meredith Willson | F Minor | 3 | 4A | 117 BPM | ||
| A Fine Romance | Martha Tilton | A♭ Major | 2 | 4B | 77 BPM | ||
| From the Vine Came the Grape | The Gaylords | G Major | 2 | 9B | 168 BPM | ||
| Sentimental Journey | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Anytime | Eddie Fisher | G Major | 2 | 9B | 168 BPM | ||
| I Get Ideas (When We Are Dancing) | Tony Martin | G Major | 2 | 9B | 201 BPM | ||
| She's a Lady | Betty Hutton | G Major | 2 | 9B | 168 BPM | ||
| Mambo Italiano - 2005 Remaster | Alma Cogan | B♭ Minor | 4 | 3A | 152 BPM | ||
| Snootie Little Curtie | Bobby Troup | A♭ Major | 3 | 4B | 166 BPM | ||
| Blue Skies | Betty Hutton | F Minor | 1 | 4A | 131 BPM | ||
| (There'll Be Bluebirds Over) The White Cliffs Of Dover | Kay Kyser & His Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Day In - Day Out | Mel Tormé | G Minor | 1 | 6A | 134 BPM | ||
| I Said My Pajamas (And Put On My Prayers) | Tony Martin | B♭ Minor | 1 | 3A | 109 BPM | ||
| Let's Fall in Love | Vic Damone | D♭ Minor | 4 | 12A | 131 BPM | ||
| Moanin' Low | Annette Hanshaw | A Major | 2 | 11B | 108 BPM | ||
| Amapola | Jimmy Dorsey | G Major | 2 | 9B | 168 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Dreamboat | Alma Cogan | F Major | 3 | 7B | 172 BPM | ||
| Old Man Moon | Dan Levinson & His Swing Wing, Molly Ryan | E Minor | 2 | 9A | 162 BPM |