"Fedora: Amor ti vieta" by Umberto Giordano, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Alfredo Simonetto had its release date on September 1, 2015. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 79 in the song's album "The Complete Cetra Recordings". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Fedora: Amor ti vieta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fedora: Amor ti vieta by Umberto Giordano, Franco Corelli, Orchestra Sinfonica Nazionale della RAI di Torino, Alfredo Simonetto having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | F Minor | 1 | 4A | 167 BPM | ||
| Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | ||
| La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
| Andrea Chénier / Act 3: "Son la vecchia Madelon ... Amici ancor cantiam" | Umberto Giordano, Elena Obraztsova, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | C Minor | 0 | 5A | 83 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Giordano: Andrea Chenier: La Mamma Morta | Umberto Giordano, Ghena Dimitrova, Munich Radio Orchestra, Lamberto Gardelli | E Minor | 1 | 9A | 88 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| Requiem, Op. 9: Pie Jesu | Maurice Duruflé, Okka von der Damerau, Ivan Repušić, Munich Radio Orchestra, Uladzimir Sinkevich | A♭ Major | 1 | 4B | 82 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM | ||
| Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Heinrich Schmidt, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
| La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
| Agnus Dei | Georges Bizet, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E♭ Major | 1 | 5B | 90 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | F♯ Minor | 3 | 11A | 89 BPM |