The Blackout's ' "Hold On" was released on its scheduled release date, October 27, 2014. Hold On is considered explicit and may contain foul language. This song is about 3 minutes and 13 seconds, which is about the average length of a typical song. This song is part of Wolves by The Blackout. The song's track number on the album is #4 out of 5 tracks. In terms of popularity, Hold On is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Hold On by The Blackout has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hold On being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Am the Party | Million Dead | E Minor | 10 | 9A | 182 BPM | ||
| One Step At A Time | Four Year Strong | G Major | 10 | 9B | 163 BPM | ||
| The Rapture | Fort Hope | F♯ Minor | 8 | 11A | 150 BPM | ||
| Honeymoon Suite | Creeper | E♭ Major | 10 | 5B | 188 BPM | ||
| Young Heart | We Are The Ocean | E Minor | 9 | 9A | 154 BPM | ||
| All of This Has to End | We Are The Ocean | D Major | 10 | 10B | 187 BPM | ||
| You're Turning into John Wayne | Twin Atlantic | C Major | 9 | 8B | 172 BPM | ||
| Never By Your Side | The Blackout | C Major | 10 | 8B | 197 BPM | ||
| Let Me Go | The Blackout | D♭ Major | 9 | 3B | 147 BPM | ||
| Back to the Fuck Yeah | Pulled Apart By Horses | G Minor | 8 | 6A | 154 BPM | ||
| Harmony | Hundred Reasons | C Major | 9 | 8B | 157 BPM | ||
| The One | We Are Harlot | E Minor | 9 | 9A | 105 BPM | ||
| The White One Is Evil | Elliot Minor | G Minor | 9 | 6A | 112 BPM | ||
| Captivate You | Marmozets | B Minor | 9 | 10A | 153 BPM | ||
| Silent (When We Speak) | The Blackout | E Major | 5 | 12B | 134 BPM | ||
| Set You Right | Canterbury | F♯ Minor | 9 | 11A | 133 BPM | ||
| STFUppercut | The Blackout | E♭ Minor | 9 | 2A | 102 BPM | ||
| Weight Of The World | Young Guns | F Minor | 10 | 4A | 91 BPM | ||
| Morning Sadness | Madina Lake | D Major | 7 | 10B | 160 BPM | ||
| Old Crows | Alexisonfire | D♭ Major | 10 | 3B | 135 BPM | ||
| Maeby | Fearless Vampire Killers | A Minor | 9 | 8A | 185 BPM | ||
| Human After All | Twin Atlantic | F♯ Minor | 9 | 11A | 172 BPM | ||
| Drive to the City | Go:Audio | A Major | 8 | 11B | 132 BPM | ||
| I Know You Are, But What Am I? | The Blackout | F♯ Minor | 10 | 11A | 102 BPM | ||
| Gangs of Bitches | The Blackout Blacklainentertainment, The Blackout | C Major | 9 | 8B | 150 BPM |