"Silver Savior/Aftermath" by John Ottman had its release date on January 1, 2007. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 17 out of 19 in Fantastic Four: Rise of the Silver Surfer (Original Motion Picture Soundtrack) by John Ottman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Silver Savior/Aftermath is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Silver Savior/Aftermath by John Ottman is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nate's Theme 3.0 | Greg Edmonson | E Minor | 5 | 9A | 125 BPM | ||
| Westminster Bridge - From “Spectre” Soundtrack | Thomas Newman | C Major | 6 | 8B | 122 BPM | ||
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM | ||
| Grand Bazaar, Istanbul | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | C Minor | 6 | 5A | 91 BPM | ||
| Vigilante Justice | Blake Neely | C Major | 6 | 8B | 125 BPM | ||
| Coffey on the Mile | Thomas Newman | D♭ Minor | 0 | 12A | 62 BPM | ||
| The Cloverfield Paradox | Bear McCreary | C Major | 3 | 8B | 133 BPM | ||
| Land Of The Free | Trevor Morris | C Major | 2 | 8B | 67 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Drive Montage | Basil Poledouris | B♭ Major | 3 | 6B | 123 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| The Blenheim Sequence | Joe Kraemer | C Minor | 1 | 5A | 88 BPM | ||
| Tell Me Everything | John Ottman | G Minor | 2 | 6A | 51 BPM | ||
| Rocket Launch | Bear McCreary | A Major | 1 | 11B | 100 BPM | ||
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| We'll Figure It Out | Max Aruj, Alfie Godfrey | G Minor | 4 | 6A | 181 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Agents of S.H.I.E.L.D. Overture | Bear McCreary | D♭ Major | 5 | 3B | 96 BPM | ||
| Imhotep - From “The Mummy” Soundtrack | Jerry Goldsmith | A♭ Major | 1 | 4B | 63 BPM | ||
| I Remember Everything | John Powell, David Buckley | F Major | 3 | 7B | 76 BPM | ||
| The Descent | David Julyan | D♭ Minor | 2 | 12A | 65 BPM | ||
| Invasion | Nick Arundel | D♭ Major | 4 | 3B | 75 BPM | ||
| Exosuit | Clinton Shorter | B♭ Major | 6 | 6B | 136 BPM | ||
| Ahsoka Lives | Ludwig Göransson | G Minor | 1 | 6A | 111 BPM |