"Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio" by Benjamin Frith, Royal Northern Sinfonia, John Field had its release date on February 14, 2002. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 6 in FIELD: Piano Concertos Nos. 5 and 6 by Benjamin Frith. Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5 In C Major, H. 39, "L'incendie Par L'orage": II. Adagio by Benjamin Frith, Royal Northern Sinfonia, John Field is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chopin - 6 Chants Polonais, S480/R145: No. 5. Mein Freuden(Moja pieszczotka, My Joys) | Joseph Banowetz, Franz Liszt | F♯ Major | 0 | 2B | 110 BPM | ||
| Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 1, Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | A Major | 0 | 11B | 126 BPM | ||
| 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | ||
| Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | ||
| Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Menuets, RCT 6/3-4 | Jean-Philippe Rameau, Bruce Liu | G Major | 0 | 9B | 78 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Minuet (Arr. Wilhelm Kempff) - Remastered 2022 | George Frideric Handel, Alessandro Stella | B♭ Minor | 0 | 3A | 76 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Thème et variations: VI. Cinquième Variation | Olivier Messiaen, Benjamin Frith, Lucy Gould | E Major | 0 | 12B | 90 BPM | ||
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
| Étude No. 3: Ballade | Marie Awadis | D♭ Major | 0 | 3B | 127 BPM | ||
| 4 Preludes for Piano, Op. 61: No. 1, Pensieroso | Ignaz Friedman, Joseph Banowetz | B Major | 0 | 1B | 73 BPM | ||
| Nocturne No. 19 in E Minor, Op. 72 No. 1 | Frédéric Chopin, Benjamin Grosvenor | D Major | 0 | 10B | 138 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
| Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
| Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | ||
| Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
| 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM |