"Meet The Competition - Score Album Version" by Henry Jackman had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Meet The Competition - Score Album Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Turbo (Original Motion Picture Score)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Meet The Competition - Score Album Version's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Meet The Competition - Score Album Version by Henry Jackman having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Flight | Henry Jackman | G Minor | 2 | 6A | 95 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Earth to Asgard | Patrick Doyle | D Minor | 6 | 7A | 95 BPM | ||
| Ben's Death | James Horner | D Major | 1 | 10B | 138 BPM | ||
| Captain America: Brave New World Main Title | Laura Karpman | D♭ Minor | 5 | 12A | 100 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Fog Bound | Klaus Badelt | E Minor | 1 | 9A | 86 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | F Major | 0 | 7B | 134 BPM | ||
| Anything Is Possible | Don Davis | D Minor | 2 | 7A | 119 BPM | ||
| Little Secrets / Power of the Sun | John Ottman | A Minor | 1 | 8A | 87 BPM | ||
| Hulk Smash | Craig Armstrong | F Major | 3 | 7B | 140 BPM | ||
| A Thief's End | Henry Jackman | G Minor | 5 | 6A | 125 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| I'll Be Waiting | Max Aruj, Alfie Godfrey | A♭ Major | 5 | 4B | 140 BPM | ||
| Gobi, 2012 | Natalie Holt | D♭ Major | 4 | 3B | 133 BPM | ||
| Rescue Mission | Kris Bowers | G Major | 5 | 9B | 143 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| City of Hope | John Paesano | C Major | 5 | 8B | 105 BPM | ||
| Uncharted, Drake's Fortune: Nate's Theme | Greg Edmonson, Andrew Skeet, London Philharmonic Orchestra | F♯ Major | 2 | 2B | 115 BPM | ||
| HammerTime | Ludwig Göransson | D♭ Minor | 6 | 12A | 82 BPM |