Rannie Raymundo's ' "Sa Iyong Mga Mata" was released on its scheduled release date, January 27, 1996. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rannie Raymundo's "Maskara" album is number 4 out of 10. On top of that, Philippines appears to be the country where this track was created. Based on our statistics, Sa Iyong Mga Mata's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sa Iyong Mga Mata by Rannie Raymundo to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shine | Ima Castro | F Major | 4 | 7B | 97 BPM | ||
| Kay Tagal | Rachel Alejandro | C Major | 4 | 8B | 144 BPM | ||
| 03 Why Can't It Be - Instrumental | Rannie Raymundo | G Major | 5 | 9B | 135 BPM | ||
| It Might Be You | Martin Nievera | F Major | 2 | 7B | 128 BPM | ||
| Para Sa'yo | Randy Santiago | C Major | 8 | 8B | 128 BPM | ||
| And I Love You So | Sam Milby | A Major | 5 | 11B | 130 BPM | ||
| Oh Babe | Jeremiah | F♯ Minor | 5 | 11A | 128 BPM | ||
| Nag-Iisang Ikaw | Louie Heredia | B♭ Major | 6 | 6B | 144 BPM | ||
| My Girl, My Woman, My Friend | Jose Mari Chan, Janet Basco | E Major | 2 | 12B | 176 BPM | ||
| Make It Real | U-Turn | B♭ Major | 3 | 6B | 80 BPM | ||
| One Hello | Gary Valenciano | C Major | 2 | 8B | 82 BPM | ||
| Bigyan Mo Ako | Rannie Raymundo | E Major | 1 | 12B | 67 BPM | ||
| You Won't See Me Crying (Acoustic) | Passage | E Minor | 2 | 9A | 130 BPM | ||
| Hanggang | Wency Cornejo | B♭ Major | 2 | 6B | 83 BPM | ||
| Tuloy Pa Rin Ako | Labuyo | G Major | 7 | 9B | 135 BPM | ||
| Ngayon, Bukas, Kahapon | Wency Cornejo, Rachel Alejandro | G Major | 6 | 9B | 131 BPM | ||
| How Much I Feel | True Faith | G Major | 4 | 9B | 196 BPM | ||
| Insensitive | Jinky Vidal | C Major | 5 | 8B | 123 BPM | ||
| It Might Be You - Live At The Bottom Line, New York City / 1992 | Patti Austin | A Major | 2 | 11B | 62 BPM | ||
| Pakisabi Na Lang | The Company | C Minor | 5 | 5A | 132 BPM | ||
| Can We Just Stop and Talk Awhile | The Company | E Major | 4 | 12B | 83 BPM | ||
| Maghintay Ka Lamang | Vehnee Saturno | B Major | 5 | 1B | 72 BPM | ||
| Nothing I Want More | The New Minstrels | C Major | 3 | 8B | 93 BPM | ||
| Take This Love | Joe Pizzulo | G Major | 2 | 9B | 91 BPM | ||
| If I Believe | Jinky Vidal | F♯ Major | 5 | 2B | 134 BPM |