On July 8, 2022, the song "Microwave" was released by Mark Richardson. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Electromagnetic Radiation by Mark Richardson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Microwave's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Microwave by Mark Richardson is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guess Who's Back (feat. L Street) [Dub] | Mark Richardson, L Street | B♭ Minor | 8 | 3A | 98 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | F♯ Major | 2 | 2B | 97 BPM | ||
| La Gioconda / Act 2: Laggiù fra le nebbe remote | Amilcare Ponchielli, Agnes Baltsa, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 75 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | ||
| The Mikado / Act 2: 22. The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | ||
| Rigoletto, Act II: Poor little Rigoletto… (Marullo, Rigoletto, Ceprano, Secretary, Borsa, Chorus) | Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, Alan Opie, John Rawnsley, Mark Richardson, Terry Jenkins, Linda Rands, English National Opera Chorus | C Major | 1 | 8B | 84 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
| Gounod: Faust, Act 2: Choral des épées. "De l'enfer qui vient émousser nos armes" (Chœur, Valentin, Wagner, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 90 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Guess Who's Back Again | Mark Richardson | G Major | 8 | 9B | 138 BPM | ||
| Don Giovanni, K. 527, Act II: Aria. Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 100 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Porter: Kiss Me, Kate, Act 2: "So in Love" (Fred) | Cole Porter, John McGlinn, Thomas Hampson, London Sinfonietta | F♯ Major | 2 | 2B | 97 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
| H.M.S.Pinafore: Now give three cheers...When I was a lad | Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 96 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "O man of God, help thy people" | Felix Mendelssohn, Bryn Terfel, John Mark Ainsley, Matthew Munro, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Minor | 1 | 4A | 126 BPM | ||
| 22. Now for the pirates lair! | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams | D♭ Major | 1 | 3B | 89 BPM | ||
| The Poisoned Kiss, Act II: Twas here it bade… (Amaryllus, Angelica, Gallanthus, Hob, Gob, Lob, Chorus) | Ralph Vaughan Williams, Richard Hickox, BBC National Orchestra Of Wales, Pamela Helen Stephen, Roderick Williams, James Gilchrist, John Graham-Hall, Richard Suart, Mark Richardson | A♭ Major | 0 | 4B | 67 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM |