"Log" by Graham Fitkin, Piano Circus had its release date on January 1, 1992. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 3 in Fitkin: Log; Line; Loud by Graham Fitkin, Piano Circus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Log's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Log by Graham Fitkin, Piano Circus is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Sonatinas for Piano, Op. 1 No. 2: II. Largo | Georgijs Osokins, Arvo Pärt | E Major | 0 | 12B | 72 BPM | ||
| Running in a Field of Flowers: III. Searing Joy | Travis Laplante, ~Nois, Nick Zoulek | C Minor | 0 | 5A | 116 BPM | ||
| 1934: Grandmother and Kimitake | Philip Glass, Maki Namekawa | A Major | 1 | 11B | 134 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Ryuichi Sakamoto: Sarabande | Helena Basilova | B♭ Major | 1 | 6B | 87 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | C Minor | 0 | 5A | 116 BPM | ||
| The Peaches Shade | Irena And Vojtech Havlovi | G Major | 1 | 9B | 101 BPM | ||
| Gaspard de la nuit: No. 2, Le Gibet. Très lent | Maurice Ravel, Hsiang Tu | C Minor | 0 | 5A | 116 BPM | ||
| Interference: III. Square Circles | Tony Roe, Doriene Marselje | D♭ Minor | 1 | 12A | 109 BPM | ||
| The Path Through My Heart | Hanne Diamond | E Minor | 0 | 9A | 140 BPM | ||
| Etude No. 2 | Philip Glass, Maki Namekawa | C Major | 0 | 8B | 65 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM | ||
| Ruffle | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Shard | Graham Fitkin, ensemblebash | G Major | 4 | 9B | 147 BPM | ||
| New York Counterpoint (Version for Clarinet & Tape): I. Quarter Note = 18 | Steve Reich, Andrea Nagy | F♯ Major | 3 | 2B | 92 BPM | ||
| Near Ending | Eydís Evensen | F Minor | 1 | 4A | 86 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Exit Point | Liliya Kumar, Lofi Chills | C Minor | 2 | 5A | 88 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Hook | Graham Fitkin, UNT Percussion Ensemble, The University of North Texas Percussion Ensemble | F Major | 4 | 7B | 116 BPM | ||
| Morning Lights | The Sleepy Pianist | A♭ Major | 0 | 4B | 81 BPM | ||
| Soft Steps to Sleep | Dustin Tomas | C Minor | 0 | 5A | 116 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Xàfec de Llum I Tenebres: I. Como Lluvia Fina | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Sunrising | Anthony Romaniuk | C Minor | 0 | 5A | 116 BPM |