"Day One" by MARGOT had its release date on December 12, 2025. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Day One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in MARGOT's "Mvmt II: A Memory" album is number 2 out of 2. On top of that, France appears to be the country where this track was created. In terms of popularity, Day One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Day One by MARGOT to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Will Remain | Shuteen Erdenebaatar, Nils Kugelmann, Dalaijargal Daansuren | D Minor | 1 | 7A | 85 BPM | ||
| Slipping Through the Cracks | Lindi Bray | C Minor | 4 | 5A | 90 BPM | ||
| Lullaby | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM | ||
| Butterfly Blue | Nicholas & Sebastian | G Minor | 1 | 6A | 78 BPM | ||
| Closer Than Yesterday | Peter Cavallo | F Minor | 2 | 4A | 78 BPM | ||
| Here And Now | Kenzo Zurzolo | D Minor | 2 | 7A | 122 BPM | ||
| Assassin's Creed Valhalla Main Theme | Blades Without Sound | G Minor | 1 | 6A | 78 BPM | ||
| Wanomay Orchestral Rework | Michele Nobler, Marco Martini | A Minor | 1 | 8A | 94 BPM | ||
| Days to Come | Patricio Fraile, Anna Flodmark, Joe Zeitlin | A Minor | 2 | 8A | 114 BPM | ||
| Bonus: Ankida | Brianna Tam | G Major | 3 | 9B | 120 BPM | ||
| Going for a Walk | David Allred | D♭ Major | 2 | 3B | 103 BPM | ||
| Noctune: II. Beirut | Clemens Christian Poetzsch | B♭ Minor | 1 | 3A | 91 BPM | ||
| Golden Brown | Estoria | G Minor | 1 | 6A | 78 BPM | ||
| Photograph | Christopher Bear | E Minor | 0 | 9A | 77 BPM | ||
| Night Glow | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Gnossienne No. 1 | Buck McDaniel, Carrie Frey, Sonia Bize | G Minor | 1 | 6A | 78 BPM | ||
| Meditation XXII pt. 1 | Koben Sprengers | C Major | 2 | 8B | 62 BPM | ||
| You | Pol Solonar | B♭ Major | 0 | 6B | 135 BPM | ||
| In the Void | Ellen F | G Minor | 3 | 6A | 60 BPM | ||
| Hush Hush | Laurent Dury, ArtSound | F♯ Minor | 2 | 11A | 95 BPM | ||
| Amethyst | Reyer Zwart, Lavinia Meijer, Alma Quartet Amsterdam | A♭ Major | 2 | 4B | 123 BPM | ||
| Mélodie Kurde D'ispahan | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner | G Minor | 1 | 6A | 81 BPM | ||
| Last Wednesday | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Matters of the Heart | David Buckley | G Minor | 1 | 6A | 78 BPM | ||
| Brugmansia Tea (Transcendence 2) | George Bokaris | C Minor | 1 | 5A | 134 BPM |