"Run To Graveyard" by Devonté Hynes had its release date on June 2, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "Palo Alto (Original Motion Picture Score)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Run To Graveyard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Run To Graveyard by Devonté Hynes having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening | Devonté Hynes | E♭ Major | 3 | 5B | 80 BPM | ||
| Blossoms and Blood | Punch-Drunk Love | F♯ Major | 2 | 2B | 89 BPM | ||
| Gold Paint Shoot | Cliff Martinez | B♭ Minor | 10 | 3A | 178 BPM | ||
| Crossing II | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Jordana | Andrew Hewitt | B♭ Minor | 1 | 3A | 50 BPM | ||
| No Better Place To Go, Pt. 2 | Andrew Wyatt | D♭ Major | 4 | 3B | 96 BPM | ||
| Blood Love | Pilou | A♭ Major | 2 | 4B | 120 BPM | ||
| Take Me to Bed | Ennio Morricone | E Minor | 3 | 9A | 173 BPM | ||
| Drive to God's Promise | Julian Wass | F Minor | 8 | 4A | 150 BPM | ||
| End Credits | Keegan DeWitt | E Minor | 1 | 9A | 75 BPM | ||
| Letter to Pippa | Trevor Gureckis | F Minor | 1 | 4A | 127 BPM | ||
| My Elixir (From the "Priscilla"Original Motion Picture Soundtrack) | Sons of Raphael | B♭ Major | 2 | 6B | 95 BPM | ||
| Blood Run Cold | Anthony Willis | F Major | 0 | 7B | 75 BPM | ||
| Night Life in Twin Peaks - Instrumental | Angelo Badalamenti | F Major | 1 | 7B | 124 BPM | ||
| Surrender ('88 Version) (2023 Remaster) | Suicide | F♯ Minor | 6 | 11A | 112 BPM | ||
| Salmo 102 - 7º Domingo do Tempo Comum - Playback | Salmo do Dia | D♭ Major | 1 | 3B | 87 BPM | ||
| What If We Get Sick of Each Other | Cornbread Compton | D Minor | 0 | 7A | 133 BPM | ||
| Attestupan | Bobby Krlic | E Major | 1 | 12B | 140 BPM | ||
| Simple | Danny Elfman | C Major | 0 | 8B | 75 BPM | ||
| Punch Drunk Tack Piano | Punch-Drunk Love | F Major | 3 | 7B | 91 BPM | ||
| Lose Yourself | Clint Mansell | B♭ Minor | 0 | 3A | 182 BPM | ||
| Snow Dome Dreams | Angelo Badalamenti | C Major | 1 | 8B | 115 BPM | ||
| I Made a Duck | Emile Mosseri | F Major | 2 | 7B | 78 BPM | ||
| Carpathian Ridge | Michael Andrews | F Major | 1 | 7B | 131 BPM | ||
| "Yes, Of Course" | Ela Orleans | D♭ Major | 7 | 3B | 112 BPM |