"Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28" by Camille Saint-Saëns, Min Kym had its release date on March 31, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Min Kym's "Gone" album is number 4 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 by Camille Saint-Saëns, Min Kym to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
| 13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen, Noreen Polera | G Minor | 1 | 6A | 75 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Chopin: 12 Études, Op. 25: No. 11 in A Minor "Winter Wind" | Frédéric Chopin, Leif Ove Andsnes | C Major | 3 | 8B | 86 BPM | ||
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| Le Carnaval des Animaux, R. 125: IX. The Cuckoo in the Depths of the Forest | Camille Saint-Saëns, Seiji Ozawa, Garrick Ohlsson, John Browning, Boston Symphony Orchestra | A♭ Major | 1 | 4B | 77 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
| Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
| Variations on "God Save The King" for Solo Violin, Op. 9 | Niccolò Paganini, Roman Kim | G Major | 2 | 9B | 99 BPM | ||
| Elgar: Salut d'amour, Op. 12 | Edward Elgar, Min Kym, Gordon Back | E Major | 1 | 12B | 86 BPM | ||
| Paganiniana | Nathan Milstein, Clara Jumi Kang | A Minor | 1 | 8A | 127 BPM | ||
| Fugue in G Minor, BWV 578, 'Little Fugue' | Alessandro De Lucci | G Minor | 2 | 6A | 180 BPM | ||
| Howl´s Moving Castle (Theme Song) | Bastian Lee Jones | G Minor | 2 | 6A | 71 BPM | ||
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
| Slavonic Fantasy in B minor | Antonín Dvořák, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 116 BPM | ||
| 3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM |