"Water Music: Air" by George Frideric Handel, Christopher Dearnley had its release date on 2008. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Water Music: Air's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher Dearnley, Timothy Farrell, Barry Rose, Allan Wicks, Francis Jackson, Noel Rawsthorne's "Great Cathedral Organs of England" album is number 6 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Water Music: Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music: Air by George Frideric Handel, Christopher Dearnley to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marcelletta | Mikko Finneman | D Minor | 0 | 7A | 104 BPM | ||
| Come All Ye Saints of Zion (Hymn) | Jacob Hershberger | C Major | 3 | 8B | 73 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | ||
| Rachmaninov: Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor "The Bells of Moscow" (Arr. Vierne for Organ) | Sergei Rachmaninoff, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| 3 Preludes and Fugues, Op. 99: Prelude and Fugue No. 3 in E-Flat Major | Camille Saint-Saëns, Joachim Dorfmuller | E♭ Major | 2 | 5B | 60 BPM | ||
| Al Wat in Mij Is Verlangt Te Zingen | Arjan Huizer | D Major | 1 | 10B | 118 BPM | ||
| Prélude from "Te Deum", H.146 | Marc-Antoine Charpentier, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 111 BPM | ||
| Trumpet Voluntary, op. 6, no. 5: Voluntary | John Stanley, Douglas Bush, David Brown | D Major | 2 | 10B | 61 BPM | ||
| Seems Really Tanned | Mikko Finneman | E♭ Major | 3 | 5B | 88 BPM | ||
| Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
| Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM | ||
| Atonement | David John Hicken, David Hicken | C Minor | 3 | 5A | 133 BPM | ||
| Vader wij eren | André Knevel | C Major | 0 | 8B | 66 BPM | ||
| Trumpet Concerto in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 3 | 3B | 107 BPM | ||
| Melodiebewerking over Een Thema Van Mozart | Pieter Heykoop | C Major | 1 | 8B | 61 BPM | ||
| Sixième Symphonie. Finale | Olivier Latry | G Major | 3 | 9B | 102 BPM | ||
| An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
| Heroische Musik: III. Con bravura | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | D Major | 2 | 10B | 88 BPM | ||
| Toccata In F Major | Jules Grison, Charles-Marie Widor, David M Patrick | F Major | 3 | 7B | 102 BPM | ||
| Romae Villae | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Más cerca, Dios, de Ti | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| Liedbewerking "De Heer Is Mijn Herder" | Frank Kaman | B♭ Minor | 0 | 3A | 67 BPM | ||
| Amazing Grace | John Newton, Salisbury Cathedral Choir, Simon Lole | G Major | 1 | 9B | 73 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio | Diana Doherty | B♭ Major | 1 | 6B | 63 BPM | ||
| Zadok the Priest, HWV 258 (Arr. Mark Gaal for Brass Band) - Live | George Frideric Handel, phil Blech Wien, Olivier Latry, Anton Mittermayr | D Major | 1 | 10B | 97 BPM |