"Shin and Sabine" by Kevin Kiner had its release date on September 15, 2023. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 46 in Ahsoka - Vol. 1 (Episodes 1-4) [Original Soundtrack] by Kevin Kiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Shin and Sabine's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Shin and Sabine by Kevin Kiner is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Survivors | Takeshi Furukawa | B♭ Minor | 2 | 3A | 85 BPM | ||
| We Can Free Each Other | James Newton Howard | F Major | 0 | 7B | 135 BPM | ||
| The Boy in the Iceberg | Takeshi Furukawa | B♭ Minor | 2 | 3A | 85 BPM | ||
| Creating The Inn | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | A♭ Major | 2 | 4B | 91 BPM | ||
| Ancient Stones: A Frantic Fight | Russell Shaw | A♭ Minor | 3 | 1A | 145 BPM | ||
| Maul's Call / Parting Ways (7M43-44-45) | John Powell, John Williams | E Minor | 1 | 9A | 110 BPM | ||
| Crabs Attack | Kevin Kiner | G Major | 7 | 9B | 151 BPM | ||
| Water Ballet | John Williams | C Major | 1 | 8B | 118 BPM | ||
| Incoming I | Juri Seppä, Tuomas Wäinölä | A Minor | 1 | 8A | 51 BPM | ||
| Come Away From the Window | Nicholas Britell | D♭ Minor | 0 | 12A | 70 BPM | ||
| Hope for the Future | Joseph Trapanese | B♭ Major | 6 | 6B | 95 BPM | ||
| The Value of a Life | Heitor Pereira | D Major | 1 | 10B | 132 BPM | ||
| Mowing Posies | Heitor Pereira | G Minor | 5 | 6A | 105 BPM | ||
| Weapons to Bear | Inon Zur | A♭ Minor | 6 | 1A | 75 BPM | ||
| Tethyshadros | Anže Rozman, Kara Talve | E♭ Major | 3 | 5B | 60 BPM | ||
| Fight and Flight | Stephen Barton, Gordy Haab | D♭ Major | 5 | 3B | 110 BPM | ||
| A Proper Family | Heitor Pereira | C Minor | 1 | 5A | 92 BPM | ||
| Queen of Roses: Pinnacle | Russell Shaw | B♭ Minor | 4 | 3A | 68 BPM | ||
| Crimson Dawn | Jon Everist | G Major | 4 | 9B | 75 BPM | ||
| Mimban Battle (1M10A-B) | John Powell | C Major | 1 | 8B | 117 BPM | ||
| The Vault - Parts 3 and 4 | Nicholas Britell | D♭ Major | 7 | 3B | 177 BPM | ||
| A Serpentine Path | Jonatan Järpehag, Gustaf Grefberg | C Minor | 2 | 5A | 87 BPM | ||
| There Are No Others | Joseph Shirley, Ludwig Göransson | A♭ Major | 6 | 4B | 133 BPM | ||
| Iziz War | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Eyes on the Enterprise | Nami Melumad | C Major | 1 | 8B | 147 BPM |