On March 19, 2017, the song "Fond Wishes" was released by Thomas Richard Peter Howe, Stephen Tait. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Fond Wishes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Optimist - Positive & Dynamic Strings". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fond Wishes's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Fond Wishes by Thomas Richard Peter Howe, Stephen Tait having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Almost the End | Mark Revell | C Major | 5 | 8B | 162 BPM | ||
| Reunion | Thomas Richard Peter Howe, Stephen Tait | C Major | 3 | 8B | 120 BPM | ||
| Illuminations | David Celeste | B♭ Major | 1 | 6B | 174 BPM | ||
| Take Off | Swirling Ship | A Minor | 1 | 8A | 166 BPM | ||
| Point of Contact | Francis James Ralls, Billie Ray Fingers, Bruce Fingers | A♭ Major | 3 | 4B | 114 BPM | ||
| Agnes | Antony Partos | C Minor | 2 | 5A | 146 BPM | ||
| The Lion Sleeps Tonight | Myleene Klass | C Major | 1 | 8B | 77 BPM | ||
| Mischievous Troll | Thomas Richard Peter Howe, Stephen Tait | A Major | 4 | 11B | 160 BPM | ||
| Best Part Of My Day | Spencer Hutchings | A♭ Major | 1 | 4B | 113 BPM | ||
| Reunited | David Buckley | G Major | 2 | 9B | 86 BPM | ||
| Maxime | Carlos Hof | F♯ Minor | 3 | 11A | 136 BPM | ||
| Raíces de Paz | Jesus Erazo | C Minor | 2 | 5A | 146 BPM | ||
| Facteur Cheval | Baptiste Colleu, Pierre Colleu | G Minor | 3 | 6A | 149 BPM | ||
| Golden Wounds | Ahmet Kenan Bilgiç, Turgut Mavuk | A Major | 3 | 11B | 140 BPM | ||
| Whispering Sky | Cavendish Music | A Major | 1 | 11B | 83 BPM | ||
| On The Way | Mike Reed, Thomas Richard Peter Howe | C Minor | 8 | 5A | 100 BPM | ||
| Loango | David Schweitzer | A♭ Minor | 2 | 1A | 140 BPM | ||
| Unexpected Call | Andrew Skrabutenas, Atom Music Audio | C Major | 2 | 8B | 116 BPM | ||
| Feathering | Cyrus Shahrad | E Major | 2 | 12B | 120 BPM | ||
| Olas Bajas | AriaZz | A Major | 4 | 11B | 99 BPM | ||
| Tumbling Part 2 (Scaled Down Version) | Peter Sandberg | F♯ Major | 1 | 2B | 82 BPM | ||
| True to Self | Otis Terrell | C Minor | 2 | 5A | 146 BPM | ||
| Jane Misses Home | Dominik Scherrer | D Minor | 1 | 7A | 156 BPM | ||
| Delicate Dance | Thomas Richard Peter Howe, Stephen Tait | C Major | 4 | 8B | 148 BPM | ||
| Soaring Horizon | Philip Guyler | E Major | 3 | 12B | 103 BPM |