"Kyrie IX" by Traditional, Abbaye Saint-Joseph de Flavigny had its release date on January 1, 1988. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Kyrie IX's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Pentecôte (Chant grégorien)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Kyrie IX's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kyrie IX by Traditional, Abbaye Saint-Joseph de Flavigny having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
| Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| Thirsty of Your Mercy | Kpakurukpa | D♭ Major | 0 | 3B | 78 BPM | ||
| The Earth Lay White | Tim Story | A Major | 1 | 11B | 74 BPM | ||
| Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| We Toast the Days | Linda Kachelmeier, Desmond Earley, Ciarán O’Donovan, Ivan O’Neill, The Choral Scholars of University College Dublin | F♯ Major | 1 | 2B | 85 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Lullaby (Wiegenlied), Op. 49, No. 4 [Arr. Michael Leighton Jones] | Johannes Brahms, Michael Leighton Jones, Jonathan Bradley | E♭ Major | 2 | 5B | 128 BPM | ||
| Zieh ein zu deinen Toren | Sjaella | F Major | 0 | 7B | 77 BPM | ||
| Totuuden henki | Traditional, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| While by My Sheep | The Choirs of Our Lady of Mount Carmel Church | A Minor | 3 | 8A | 126 BPM | ||
| Another Me | Kira Ha | F Minor | 0 | 4A | 134 BPM | ||
| Annunciation Peal Of Bells | Traditional, The Benedictine Nuns of Notre-Dame de l'Annonciation, Le Barroux, Claude Pateau | D Minor | 2 | 7A | 95 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Vox Angelica | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria | B♭ Minor | 1 | 3A | 142 BPM | ||
| Love Is Come Again | Traditional, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM | ||
| Of the Father's Heart Begotten | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | E Major | 2 | 12B | 80 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 86 BPM | ||
| Lo, how a Rose e'er blooming | Traditional, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 119 BPM |