"Sloe Mink" by Sean Conly, Michaël Attias had its release date on October 15, 2012. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Sloe Mink's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Think Shadow". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Sloe Mink is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sloe Mink by Sean Conly, Michaël Attias having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Out | David Whitman, Geoffrey Keezer, Bruce Forman, Bob Sheppard | G Major | 5 | 9B | 111 BPM | ||
| Intermezzo (feat. Jaimeo Brown & Sean Conly) - Live | John Chin, Jaimeo Brown Transcendence, Sean Conly | G Major | 0 | 9B | 115 BPM | ||
| Liturgy | Michael Gibbs | D♭ Minor | 3 | 12A | 150 BPM | ||
| Improvisation III | Noa Fort, Sam Newsome, Sean Conly | A Major | 2 | 11B | 134 BPM | ||
| Closing | Cassie Kinoshi, seed. | B♭ Major | 2 | 6B | 85 BPM | ||
| Lovelorn | Sean Conly, Alex Harding, Darius Jones, Chad Taylor | A Major | 4 | 11B | 73 BPM | ||
| Motherhood | Caelan Cardello | B Major | 0 | 1B | 116 BPM | ||
| Don't Look Up | TıSHıNA | A♭ Minor | 4 | 1A | 97 BPM | ||
| Even Owls Dream | Sean Conly, Michaël Attias | B Major | 0 | 1B | 111 BPM | ||
| Expeditions | Danilo Perez, Bohuslän Big Band, Alberto Pinton, Niclas Rydh | C Major | 2 | 8B | 83 BPM | ||
| Tune Up | Gregory Tardy, Alex Norris, Sam Sadigursky, Bruce Barth, Sean Conly, Jaimeo Brown Transcendence | D Major | 7 | 10B | 130 BPM | ||
| Welcome Back | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| In Search of You | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| One O´clock Junk | Scandinavian Art Ensemble, Tomasz Stańko | B♭ Minor | 3 | 3A | 114 BPM | ||
| Ephemerality | Sasha Berliner | G Major | 7 | 9B | 148 BPM | ||
| The Law of Biogenesis | Gregory Tardy, Philip Dizack, John Chin, Sean Conly, Jaimeo Brown Transcendence | D♭ Major | 4 | 3B | 145 BPM | ||
| So Je So Ru I | Daniel Platzman Quintet | G Major | 5 | 9B | 95 BPM | ||
| Remembrance | Michael Dease, Pablo Muller-Santiago | G Major | 5 | 9B | 81 BPM | ||
| I'm in the Mood for Love | Yoko Miwa Trio | C Major | 4 | 8B | 205 BPM | ||
| A Lick of My Raspberry Mivvi | Kevin Sargent | B♭ Minor | 3 | 3A | 204 BPM | ||
| Authentic Taste | Haeun Joo | G Major | 5 | 9B | 81 BPM | ||
| Celestial Bodies | Martin Nodeland, Will Vinson | D Minor | 4 | 7A | 109 BPM | ||
| South Hampton | Billy Hart Quartet | C Major | 3 | 8B | 78 BPM | ||
| Palo Seco | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | G Minor | 6 | 6A | 87 BPM | ||
| Lil' Patient One | Gregory Tardy, Philip Dizack, John Chin, Sean Conly, Jaimeo Brown Transcendence | D♭ Major | 0 | 3B | 89 BPM |