- BPM
- 133
- Key
- F Minor
- Camelot
- 4A
Valse Sentimentale, Op. 5, No. 6 by Isaac Stern Song Details
"Valse Sentimentale, Op. 5, No. 6" by Isaac Stern had its release date on 1949. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Valse Sentimentale, Op. 5, No. 6's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Isaac Stern's "Isaac Stern - A Life in Music IV - Box Set" album is number 8 out of 150. On top of that, United States appears to be the country where this track was created. Based on our statistics, Valse Sentimentale, Op. 5, No. 6's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Valse Sentimentale, Op. 5, No. 6 by Isaac Stern to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -25.8 dB
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 7%
- Instrumentalness
- 83%
- Liveness
- 14%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | |
 | Carmen Suite No. 2: II. Habanera | Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann | D Major | 0 | 10B | 98 BPM | |
 | Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | G Minor | 2 | 6A | 114 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | |
 | Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | |
 | Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | |
 | Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | |
 | Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | |
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 85 BPM | |
 | Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen, Noreen Polera | B♭ Major | 0 | 6B | 90 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | |
 | Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | |
 | Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 2 | 9B | 90 BPM | |
 | The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | |
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | |
 | Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | |
 | IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | |
 | Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Jaime Laredo, Emanuel Ax, Isaac Stern, Yo-Yo Ma | E♭ Major | 0 | 5B | 83 BPM | |
 | On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM |
- ISRC
- USSM19926708
- Label
- L-M Records/RCA Records