A Rocket To The Moon's 'Like We Used To - Piano Version' had a release date set for October 13, 2009. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "On Your Side (Deluxe)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, Like We Used To - Piano Version's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Like We Used To - Piano Version by A Rocket To The Moon having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Little Too Late | Faber Drive | D Major | 8 | 10B | 156 BPM | ||
| Between You And I | Every Avenue | A Minor | 8 | 8A | 126 BPM | ||
| Photo | Ryan Cabrera | D♭ Major | 8 | 3B | 92 BPM | ||
| A Twist in My Story | Secondhand Serenade | C Major | 3 | 8B | 80 BPM | ||
| Take Me As I Am | FM Static | C Major | 6 | 8B | 130 BPM | ||
| California Sky | Greyson Chance | C Major | 4 | 8B | 123 BPM | ||
| Vanilla Twilight | Owl City | B Major | 5 | 1B | 166 BPM | ||
| It's Gonna Be Hard | The Audition | G Minor | 7 | 6A | 82 BPM | ||
| I'll Always Be Around | Brighten | F♯ Major | 3 | 2B | 105 BPM | ||
| Until Morning - Acoustic | Dashboard Confessional | D Major | 6 | 10B | 84 BPM | ||
| Be The Young - Acoustic | Yellowcard | B Major | 7 | 1B | 150 BPM | ||
| Boston | Augustana | C Major | 6 | 8B | 147 BPM | ||
| Remembering Sunday (feat. Juliet Simms) | All Time Low, Juliet Simms | A♭ Major | 5 | 4B | 107 BPM | ||
| 100 Years | Five For Fighting | G Major | 6 | 9B | 121 BPM | ||
| Here's to Whatever Comes Next | Sincerely, Me | D Major | 3 | 10B | 144 BPM | ||
| Collide | Howie Day | F Major | 6 | 7B | 174 BPM | ||
| While the World Let Go | A Rocket To The Moon | A♭ Major | 7 | 4B | 78 BPM | ||
| Only Place I Call Home | Every Avenue | F♯ Major | 7 | 2B | 166 BPM | ||
| Lindsay Quit Lollygagging - Acoustic Version | Chiodos | E Major | 2 | 12B | 92 BPM | ||
| Written At a Rest Stop | Ronnie Day | B♭ Major | 7 | 6B | 163 BPM | ||
| Over It | This Wild Life | C Major | 5 | 8B | 140 BPM | ||
| Heavy Lies The Crown | The Scene Aesthetic | A Major | 3 | 11B | 79 BPM | ||
| You Do, You Don't | The Friday Night Boys | F Major | 4 | 7B | 76 BPM | ||
| Tennis Court Soundtrack | Daphne Loves Derby | E♭ Major | 4 | 5B | 170 BPM | ||
| Ripped Away (feat. Nilu Madadi) | This Wild Life, Nilu Madadi | A Major | 5 | 11B | 145 BPM |