Ryuichi Sakamoto's 'Ma Mere L'Oie' had a release date set for March 25, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Ongaku Zukan -2015 Edition-". In this album, this song's track order is #11. The popularity of Ma Mere L'Oie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma Mere L'Oie by Ryuichi Sakamoto having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme of Yen Town~Opening~ | Takeshi Kobayashi | C Major | 2 | 8B | 74 BPM | ||
| Wong Chia Chi's Theme | Alexandre Desplat | D Minor | 2 | 7A | 78 BPM | ||
| chanson | Ryuichi Sakamoto | E Major | 0 | 12B | 125 BPM | ||
| Moon | alva noto, Ryuichi Sakamoto | B Minor | 3 | 10A | 120 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| 父 | Masakatsu Takagi | D♭ Major | 0 | 3B | 132 BPM | ||
| Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
| First Echo | Masakatsu Takagi | G Major | 0 | 9B | 98 BPM | ||
| Human Universe | Hayato Sumino | F Major | 2 | 7B | 106 BPM | ||
| Green | Hiroshi Yoshimura | A Major | 0 | 11B | 76 BPM | ||
| Water Copy | Hiroshi Yoshimura | D Minor | 1 | 7A | 123 BPM | ||
| 20220302 | Ryuichi Sakamoto | A♭ Minor | 0 | 1A | 65 BPM | ||
| Metamorphosis: One | Philip Glass | G Minor | 2 | 6A | 172 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| Jói & Karen - Ryuichi Sakamoto Rework | Jóhann Jóhannsson, Ryuichi Sakamoto | F Minor | 3 | 4A | 96 BPM | ||
| 猫村さんのうた | 松重豊, U-zhaan, Ryuichi Sakamoto | F Major | 3 | 7B | 107 BPM | ||
| Theme - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E♭ Major | 0 | 5B | 104 BPM | ||
| 赤とんぼ(Aka Tombo) | Taeko Onuki, Ryuichi Sakamoto | B Major | 0 | 1B | 114 BPM | ||
| 夢二のテーマ | Shigeru Umebayashi | C Minor | 2 | 5A | 129 BPM | ||
| The Haunted Victorian Pencil | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | G Minor | 0 | 6A | 80 BPM | ||
| The Ocean Sings | Taisei Iwasaki | C Major | 1 | 8B | 112 BPM | ||
| We'll live through the long, long days, and through the longnights (SAAB 900) | Eiko Ishibashi | D♭ Major | 5 | 3B | 114 BPM | ||
| ジブラルタルの風 | Takashi Kako | G Minor | 1 | 6A | 81 BPM | ||
| Moon Road | Yumiko Morioka | F Major | 1 | 7B | 128 BPM |