"Tango" by Francisco Tárrega, Narciso Yepes had its release date on February 1, 1968. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Spanish Guitar Music Of Five Centuries (Vol. 2)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tango is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tango by Francisco Tárrega, Narciso Yepes having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gabriel Bianco | D Major | 0 | 10B | 82 BPM | ||
| Bardenklange, Op. 13: Romanze: Andante | Johann Kaspar Mertz, Adam Holzman | E Minor | 0 | 9A | 132 BPM | ||
| The Miller's Dance | Manuel de Falla, Simon Dinnigan | A Minor | 1 | 8A | 98 BPM | ||
| Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
| 8 Etudes: 24 Studies, Op. 35, "Exercises": No. 22 in E minor | Norbert Kraft | B Minor | 1 | 10A | 109 BPM | ||
| Capricho árabe | Francisco Tárrega, Pepe Romero | D Minor | 0 | 7A | 108 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Granada | Ana Vidović | A Minor | 0 | 8A | 134 BPM | ||
| Adios a Ocumare | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 138 BPM | ||
| Five Bagatelles No. 3: Alla Cubana | William Walton, Sergio Santes | B Minor | 1 | 10A | 125 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Fantasia | Celedonio Romero, Pepe Romero | D Major | 1 | 10B | 127 BPM | ||
| Gnossienne No. 1 (Arr. Roland Dyens for Guitar) | Erik Satie, Arash Ahmadi | E Minor | 0 | 9A | 93 BPM | ||
| Francisco Tárrega: Recuerdos De La Albambra | Julian Bream | A Major | 2 | 11B | 149 BPM | ||
| Malagueña | Giulio Tampalini, Juan Lorenzo | C Major | 2 | 8B | 99 BPM | ||
| Etude in G Major | Francisco Tárrega, Philip Hemmo | G Major | 0 | 9B | 77 BPM | ||
| Sor : Study No.5 | Fernando Sor, John Fulford Music | E Minor | 2 | 9A | 132 BPM | ||
| Suite del recuerdo: Chacarera | Jose Luis Merlin, Jason Vieaux | E Minor | 2 | 9A | 113 BPM | ||
| La boda de Luis Alonso, o La noche del encierro: Intermezzo (Arr. Kazuhito Yamashita for guitar) | Rafael Aguirre | A Major | 2 | 11B | 108 BPM | ||
| Voyons si c'est ca - 6 Pieces, Op. 45: No. 5, Andante | Fernando Sor, Jason Vieaux | A Major | 1 | 11B | 134 BPM | ||
| Guitar Sonata No. 1 in D Major: I. Allegro moderato | Celil Refik Kaya, Bokyung Byun | D Major | 1 | 10B | 122 BPM | ||
| Vals (Opus 8, No. 4) - Instrumental | Charlie Byrd | G Major | 2 | 9B | 95 BPM | ||
| The Troubadours Three: Melancholy | Stjepan Šulek, Ana Vidović | C Major | 1 | 8B | 109 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Elegía por la muerte: II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 2 | 7A | 119 BPM | ||
| Zapateado | Joaquín Rodrigo, Simon Dinnigan | B Minor | 2 | 10A | 102 BPM |