- BPM
- 71
- Key
- A♭ Major
- Camelot
- 4B
12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo) by Sergei Rachmaninoff, Carmen Stefanescu Song Details
"12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo)" by Sergei Rachmaninoff, Carmen Stefanescu had its release date on May 3, 2024. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo)'s duration is considered a little bit shorter than the average duration of a typical track. Since Rachmaninoff: 12 Romances, Op. 21, No. 5: Lilacs (Version for Piano Solo) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Switzerland. 12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With 12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo) by Sergei Rachmaninoff, Carmen Stefanescu having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -25.34 dB
- Acousticness
- 100%
- Danceability
- 33%
- Energy
- 4%
- Instrumentalness
- 92%
- Liveness
- 9%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 4 Lieder for Piano, Op. 2: No. 3, Alegretto grazioso | Fanny Mendelssohn, Aniele Steininger | E Major | 1 | 12B | 145 BPM | |
 | Trois études poétiques, Op. 32: I. Étude poétique | Signe Lund, Rune Alver | C Major | 0 | 8B | 64 BPM | |
 | 24 Dainas: Daina No. 3, Moderato | Janis Medins, Arta Arnicane | E Minor | 2 | 9A | 137 BPM | |
 | 6 Pieces, Op. 19: No. 6, Thème original et variations. Var. 10 | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | |
 | Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | E Major | 1 | 12B | 93 BPM | |
 | Variations on a Theme of Chopin, Op. 22: Variation 22 | Sergei Rachmaninoff, Park Eun Shik | B♭ Major | 0 | 6B | 78 BPM | |
 | Schumann: Theme & Variations in E-Flat Major, WoO 24, "Ghost Variations": V. Variation 4 | Robert Schumann, Eric Lu | C Minor | 0 | 5A | 76 BPM | |
 | Serenade, Op. 37 | Agathe Backer Grøndahl, Benjamin Engeli | D♭ Major | 2 | 3B | 170 BPM | |
 | Woodland Sketches. Op. 51: No. 2, Will O' the Wisp - Duo-Art 6335 -2- | Edward MacDowell, Reuben Davies, Peter Phillips | E Major | 1 | 12B | 93 BPM | |
 | 春に寄す Op.43-6(グリーグ) | 松本和将 | F♯ Major | 1 | 2B | 74 BPM | |
 | Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato (Transcr. Delsart for Cello and Piano) | César Franck, Daniel Müller-Schott, Robert Kulek | F♯ Minor | 0 | 11A | 63 BPM | |
 | Das alte Lied (Arr. Hough) | Henry Love, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | F Major | 0 | 7B | 72 BPM | |
 | Fauré: 8 Pièces brèves, Op. 84: No. 5, Improvisation | Gabriel Fauré, Georges Pludermacher | B Minor | 0 | 10A | 71 BPM | |
 | 2 Nocturnes, Op. 62: No. 1 in B Major. Andante | Frédéric Chopin, Yulianna Avdeeva | B Major | 0 | 1B | 85 BPM | |
 | Quatre pièces fugitives, Op. 15: No. 1, Larghetto | Clara Schumann, Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | G Minor | 1 | 6A | 91 BPM | |
 | Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | |
 | Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | |
 | Keyboard Sonata in F Major, Kk. 446 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | |
 | Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | |
 | Prelude Op.32 No.7 F Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | |
 | 7 Canciones populares españolas: No. 5, Nana (Arr. Halffter) | Manuel de Falla, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | |
| Prelude in C-Sharp Minor, Op. 45. Sostenuto | Frédéric Chopin, Jan Lisiecki | G Major | 0 | 9B | 79 BPM | |
 | Ballet: V. Temps de blues | Federico Mompou, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM |
- ISRC
- CHE272402348
- Label
- L-M Records/RCA Records