The Futureheads's ' "Man Ray" was released on its scheduled release date, June 28, 2004. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Man Ray's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Futureheads (UK Formats)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of Man Ray is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Man Ray by The Futureheads having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worse For Wear | The Paddingtons | A Major | 10 | 11B | 173 BPM | ||
| Hunting for Witches | Bloc Party | F♯ Minor | 8 | 11A | 157 BPM | ||
| Radar Detector | Darwin Deez | E Major | 7 | 12B | 97 BPM | ||
| Finale | Funeral Party | A Major | 9 | 11B | 157 BPM | ||
| New York City Moves To The Sound of L.A. | Funeral Party | C Major | 9 | 8B | 156 BPM | ||
| When I Argue I See Shapes | Idlewild | A♭ Major | 10 | 4B | 140 BPM | ||
| Thirteen | ¡Forward Russia! | D Minor | 9 | 7A | 146 BPM | ||
| Young Love (feat. Laura Marling) | Mystery Jets, Laura Marling | E Major | 9 | 12B | 136 BPM | ||
| Decent Days and Nights | The Futureheads | E Major | 9 | 12B | 172 BPM | ||
| The Boy Who Ran Away | Mystery Jets | D♭ Minor | 9 | 12A | 139 BPM | ||
| The World Was a Mess but His Hair Was Perfect | The Rakes | B Minor | 9 | 10A | 170 BPM | ||
| Sophia | Good Shoes | D♭ Minor | 8 | 12A | 162 BPM | ||
| Hounds of Love | The Futureheads | A Major | 9 | 11B | 168 BPM | ||
| We've Always Been Your Friends | The Sunshine Underground | B Minor | 9 | 10A | 122 BPM | ||
| Technodanceaphobic | The Enemy | A♭ Minor | 9 | 1A | 154 BPM | ||
| Bang Bang Rock and Roll | Art Brut | B Minor | 8 | 10A | 77 BPM | ||
| Ex Lover | Friendly Fires | F♯ Major | 9 | 2B | 136 BPM | ||
| Textbook | We Are Scientists | E Major | 8 | 12B | 91 BPM | ||
| You Bring Me Down | Blood Red Shoes | A Minor | 9 | 8A | 136 BPM | ||
| Cheer It On | Tokyo Police Club | B Minor | 10 | 10A | 104 BPM | ||
| You Made Me Like It | 1990s | E Major | 4 | 12B | 150 BPM | ||
| Empty At The End | The Electric Soft Parade | A Major | 9 | 11B | 132 BPM | ||
| Atlantis To Interzone | Klaxons | A Minor | 9 | 8A | 145 BPM | ||
| You Fucking Love It | Dirty Pretty Things | B Minor | 10 | 10A | 109 BPM | ||
| Direct Hit! | Art Brut | B Minor | 10 | 10A | 153 BPM |