"Magnificat: IV. Et misericordia ejus" by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini had its release date on May 9, 2011. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Per la Vergine Maria (Bencini, Soler, Stravinsky...)". In this album, this song's track order is #5. In terms of popularity, Magnificat: IV. Et misericordia ejus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat: IV. Et misericordia ejus by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Six Brandenburg Concertos, No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | F♯ Minor | 0 | 11A | 95 BPM | ||
| Alcyone: Chaconne | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 125 BPM | ||
| Sonata in G, Op. 1, No. 9: 1. Allegro | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Major | 1 | 3B | 79 BPM | ||
| Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 3 | 9B | 123 BPM | ||
| Il trionfo del Tempo e del Disinganno, HWV 46a, Parte prima: No. 22, Venga il Tempo (Aria) (Bellezza) | George Frideric Handel, Deborah York, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 133 BPM | ||
| King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | ||
| Domine ad adiuvandum me festina, RV 593: II. Gloria patri | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Roberta Invernizzi | E Minor | 0 | 9A | 82 BPM | ||
| Sonata a 8 viole con una tromba in D Major: II. Aria | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 90 BPM | ||
| Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 99 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Concerto per due violini e due organi in F Major, RV 584 in F Major, RV 584 | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | C Major | 2 | 8B | 77 BPM | ||
| Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
| Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 3 | 3B | 104 BPM | ||
| Il terzo libro de madrigali a 5 voci: Stravagante pensiero | Scipione Lacorcia, Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi, Monica Piccinini, Sonia Tedla, Maria Chiara Gallo, Andrés Montilla | D Minor | 2 | 7A | 84 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | ||
| Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Da capella presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 82 BPM | ||
| Madrigali a 5 voci, libro 5: Asciugate i begl’occhi | Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi, Monica Piccinini, Maria Chiara Gallo, Andrés Montilla, Raffaele Giordani | D Major | 2 | 10B | 72 BPM |