Charles Aznavour, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra's ' "For Me, Formidable" was released on its scheduled release date, October 4, 2019. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. For Me, Formidable's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucienne Renaudin Vary, Bill Elliot, BBC Concert Orchestra's "Mademoiselle in New York" album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, For Me, Formidable's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of For Me, Formidable by Charles Aznavour, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Que serais-je sans toi | Jean Ferrat | F Minor | 4 | 4A | 107 BPM | ||
| Aimer à perdre la raison | Jean Ferrat | C Major | 3 | 8B | 72 BPM | ||
| La chanson des jumelles | Brigitte | A♭ Major | 7 | 4B | 120 BPM | ||
| Je n'ai pas vu le temps passer | Paul Anka, Charles Aznavour | C Major | 5 | 8B | 79 BPM | ||
| Dansez Sur Moi - Girl Talk | Claude Nougaro | F Minor | 5 | 4A | 97 BPM | ||
| Un homme et une femme | Thomas Dutronc, Stacey Kent | B Major | 3 | 1B | 126 BPM | ||
| When You Smile | Shirley Bassey | F Major | 6 | 7B | 79 BPM | ||
| 世紀末の香り | フランシス・レイ | A♭ Major | 4 | 4B | 83 BPM | ||
| Feeling Good | David Leshes | F Minor | 3 | 4A | 116 BPM | ||
| En v'la du slow en v'la | Michel Jonasz | A Minor | 4 | 8A | 185 BPM | ||
| Votre fille a 20 ans - Nouveau mix | Serge Reggiani | C Major | 4 | 8B | 110 BPM | ||
| Piazzolla / Orch. Ducros: María de Buenos Aires | Lucienne Renaudin Vary | A Minor | 3 | 8A | 134 BPM | ||
| Café au bord du fleuve | Docteur Predrag Mitrovic | C Major | 3 | 8B | 98 BPM | ||
| On A Marché Sur La Lune | Anthony Strong | D Minor | 4 | 7A | 110 BPM | ||
| Swing Mocinateur | Pierre-Antoine Martin | G Minor | 3 | 6A | 134 BPM | ||
| Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
| Neruda: Trumpet Concerto in E-Flat Major: III. Vivace | Johann Baptist Georg Neruda, Lucienne Renaudin Vary, Michael Sanderling, Luzerner Sinfonieorchester | E♭ Major | 1 | 5B | 62 BPM | ||
| Taking a Chance on Love | Jane Monheit | B♭ Minor | 4 | 3A | 173 BPM | ||
| Où Vont Les Fleurs (Where Have All The Flowers Gone) | Marlene Dietrich | G Major | 1 | 9B | 128 BPM | ||
| Ah! Le Tango Corse | Fernandel | F Minor | 3 | 4A | 116 BPM | ||
| Nathalie | Gilbert Bécaud | A Minor | 6 | 8A | 135 BPM | ||
| La chanson de Jacky | Bernard Lavilliers | E Major | 7 | 12B | 100 BPM | ||
| Le Panthéon - J’ai deux amours | Félicien Brut | A Minor | 1 | 8A | 65 BPM | ||
| Mademoiselle | Berry | A♭ Minor | 3 | 1A | 110 BPM | ||
| Vivre sans vivre (Samba em preludio) | Yves Duteil, Bïa | B♭ Minor | 3 | 3A | 116 BPM |