- BPM
- 56
- Key
- D Major
- Camelot
- 10B
The Whole Earth Dances by Cheryl Frances-Hoad, The Schubert Ensemble Song Details
"The Whole Earth Dances" by Cheryl Frances-Hoad, The Schubert Ensemble had its release date on November 12, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Whole Earth Dances is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Whole Earth Dances by Cheryl Frances-Hoad, The Schubert Ensemble is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.793 dB
- Acousticness
- 82%
- Danceability
- 15%
- Energy
- 20%
- Instrumentalness
- 72%
- Liveness
- 10%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | |
 | The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | |
 | String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | |
 | Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | |
 | When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | |
 | Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | |
 | Memoria: I. Prelude | Cheryl Frances-Hoad, Nicholas Daniel, Nadia Wijzenbeek, Ylvali Zilliacus, Marie Macleod, Alasdair Beatson | F Major | 1 | 7B | 82 BPM | |
 | Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | |
 | Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | |
 | Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | |
 | Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | |
 | Prelude in C-Sharp Major, BWV 872 | Johann Sebastian Bach, Martin Fröst, Sébastien Dubé, Jonas Nordberg | F Major | 2 | 7B | 103 BPM | |
 | Abstractions: I. Marble Moon (Inspired by Sara VanDerBeek's Marble Moon, 2015) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | |
 | The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | A Major | 1 | 11B | 73 BPM | |
 | Chorale Prelude on East Acklam | James Flores | D Major | 0 | 10B | 128 BPM | |
 | 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | |
 | Concerto No. 2 for Cello & String Orchestra "Klatbutne / Presence": I. Cadenza | Pēteris Vasks, LGT Young Soloists, Caterina Isaia, Alexander Gilman | E Minor | 0 | 9A | 96 BPM | |
 | Between the Skies, the River and the Hills: II. Scherzando | Cheryl Frances-Hoad, Ivana Gavrić, Southbank Sinfonia, Karin Hendrikson | E Major | 3 | 12B | 117 BPM | |
 | Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | |
 | Prélude, Fugue et Variation, Op. 18: III. Allegretto ma non troppo (Arr. pour piano) | César Franck, Nikolai Lugansky | D Major | 0 | 10B | 81 BPM | |
 | For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 73 BPM |
- ISRC
- GB4ZK2015201
- Label
- L-M Records/RCA Records