Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo's 'Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato' had a release date set for October 26, 2010. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Sarasate: Music for Violin and Orchestra, Vol. 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Sonata No. 6 in E Major, Op. 27 No. 6 : Allegro giusto non troppo vivo | Eugène Ysaÿe, James Ehnes | A Major | 1 | 11B | 110 BPM | ||
| Consolations, S. 172/R. 12: No. 3 in D-Flat Major: Lento placido (Arr. N. Milstein) | Franz Liszt, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 126 BPM | ||
| Le quattro stagioni, Violin Concerto in in F Minor, Op. 8 No. 4, RV 297 “L’inverno” (Winter): I. Allegro non molto | Antonio Vivaldi, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 101 BPM | ||
| Sarasate: Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | D Minor | 1 | 7A | 111 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1 No. 5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
| Rêverie et caprice, H. 88 | Hector Berlioz, María Dueñas, Deutsches Symphonie-Orchester Berlin, Mihhail Gerts | A Major | 1 | 11B | 109 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Johannes Brahms, Baiba Skride, Lauma Skride | D Major | 2 | 10B | 129 BPM | ||
| Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Tianwa Yang, Deutsches Symphonie-Orchester Berlin, Antoni Wit | D Major | 3 | 10B | 93 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: I. Obsession. Prèlude | Eugène Ysaÿe, Hilary Hahn | A Minor | 1 | 8A | 106 BPM | ||
| Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
| Zigeunerweisen, Op. 20: Moderato - Lento - Un peu plus lent - Allegro molto vivace | Pablo de Sarasate, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 2 | 6A | 100 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Der Erlkonig | Heinrich Wilhelm Ernst, Franz Schubert, Clara Jumi Kang | G Minor | 3 | 6A | 78 BPM | ||
| Tchaikovsky: Violin Concerto in D Major, Op. 35: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Leonid Kogan, Constantin Silvestri, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 3 | 10B | 84 BPM | ||
| Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
| 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM |