Madness Descends
Nuclear Assault
Something Wicked
4:31 January 1, 1993
BPM
126
Key
A Major
Camelot
11B

Embed

Share Link

Madness Descends by Nuclear Assault Song Details

Nuclear Assault's ' "Madness Descends" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Something Wicked". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Madness Descends's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With Madness Descends by Nuclear Assault having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.191 dB
Acousticness
0%
Danceability
31%
Energy
86%
Instrumentalness
64%
Liveness
8%
Loudness
86%
Speechiness
6%
Valence
48%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Last Man Alive by WhiplashLast Man AliveWhiplashB Major101B121 BPM
Gelid Remains by Demolition HammerGelid RemainsDemolition HammerB Major81B87 BPM
Stonewall by AnnihilatorStonewallAnnihilatorE Minor109A178 BPM
Thrashaholic by Morbid SaintThrashaholicMorbid SaintD♭ Major93B105 BPM
Long Live The Loud by ExciterLong Live The LoudExciterC Major108B141 BPM
Too Late to Change by AtrophyToo Late to ChangeAtrophyB♭ Minor93A85 BPM
Slaughter Lord by Merciless DeathSlaughter LordMerciless DeathA♭ Minor101A118 BPM
Process of Elimination by AtrophyProcess of EliminationAtrophyB♭ Major106B110 BPM
Forever Enslaved by SacrificeForever EnslavedSacrificeD♭ Minor912A101 BPM
Scars by Morbid SaintScarsMorbid SaintB Major101B123 BPM
Homicide by ExhorderHomicideExhorderA Major1011B124 BPM
Mercy Is No Virtue by HeathenMercy Is No VirtueHeathenC Major108B185 BPM
The Raging Tides by ExumerThe Raging TidesExumerB♭ Minor103A196 BPM
Knee Deep in the Dead by HeXeNKnee Deep in the DeadHeXeNB Major101B90 BPM
Slipped Through the Cracks by AtrophySlipped Through the CracksAtrophyA Major911B87 BPM
Last Breath by Laaz RockitLast BreathLaaz RockitF♯ Minor1011A107 BPM
W.T.Y.D. by AnnihilatorW.T.Y.D.AnnihilatorB Minor1010A135 BPM
Stranded in Hell by Nuclear AssaultStranded in HellNuclear AssaultC Major108B164 BPM
Plunging to Megadeath by Hallows EvePlunging to MegadeathHallows EveB Major91B101 BPM
Betrayal by Nuclear AssaultBetrayalNuclear AssaultD Minor107A119 BPM
Socialized Hate by AtrophySocialized HateAtrophyE Minor89A97 BPM
Technophobia by CarnivoreTechnophobiaCarnivoreD♭ Major103B95 BPM
Possessed by Fire by ExumerPossessed by FireExumerE Major912B96 BPM
Bludgeon by Forced EntryBludgeonForced EntryD♭ Major73B99 BPM
Voice of Sanity by WhiplashVoice of SanityWhiplashA♭ Major94B167 BPM
ISRC
USCA20801575
Label
L-M Records/RCA Records