Laura Karpman, Nora Kroll-Rosenbaum's 'What If...Captain Carter' had a release date set for January 5, 2024. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of What If...?: Season 2 (Original Soundtrack) by Laura Karpman, Nora Kroll-Rosenbaum. The song's track number on the album is #5 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, What If...Captain Carter is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since What If...Captain Carter by Laura Karpman, Nora Kroll-Rosenbaum has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What If...Captain Carter being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Got Pirates | Joseph Shirley, Ludwig Göransson | A♭ Major | 6 | 4B | 165 BPM | ||
| Helicopter Arrival | Marcelo Zarvos | F♯ Major | 2 | 2B | 140 BPM | ||
| End Credit | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Humans Remain | Laura Karpman | C Minor | 4 | 5A | 64 BPM | ||
| Your Friendly Neighborhood Montage | Leo Birenberg & Zach Robinson | D♭ Minor | 3 | 12A | 146 BPM | ||
| Cleon's Secret Robot | Bear McCreary, Sparks & Shadows | B♭ Minor | 1 | 3A | 167 BPM | ||
| Burnt | Nathan Johnson | E♭ Major | 1 | 5B | 98 BPM | ||
| Aftermath Of Decisions | Hugo Obum | F Minor | 4 | 4A | 149 BPM | ||
| Hatzegopteryx Courtship | Anže Rozman, Kara Talve | B♭ Major | 2 | 6B | 58 BPM | ||
| Isisaurus | Anže Rozman, Kara Talve | B♭ Major | 2 | 6B | 58 BPM | ||
| The Night Shift | Neil Davidge | A♭ Major | 3 | 4B | 185 BPM | ||
| Hostages Saved | Laura Karpman | D♭ Minor | 5 | 12A | 100 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| Arriving At The Museum | Hannes De Maeyer, Ruben de Gheselle | G Major | 5 | 9B | 80 BPM | ||
| Submarine Rises | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Upward | Melodysheep | D Major | 3 | 10B | 122 BPM | ||
| Three Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A Minor | 5 | 8A | 110 BPM | ||
| Qingming Jie | Joel P West | D Minor | 1 | 7A | 74 BPM | ||
| Airpower | Jasha Klebe | E Minor | 2 | 9A | 180 BPM | ||
| Three Days | Joel P West | D Minor | 0 | 7A | 70 BPM | ||
| Symphony | Vunnogale | A Major | 4 | 11B | 75 BPM | ||
| Everybody's Groot | Daniele Luppi | A♭ Major | 8 | 4B | 111 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Rehearsal Dinner | Theodore Shapiro | D Minor | 1 | 7A | 83 BPM | ||
| Meet Orion | Robert Lydecker, Kevin Lax | G Major | 8 | 9B | 114 BPM |