On November 11, 2019, the song "Rythme Mahi" was released by Roots Of Haiti, Dr. John. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. This song is part of Voodoo Music by Roots Of Haiti. The song's track number on the album is #10 out of 21 tracks. Based on our data, Brazil was the country where this track was produced or recorded. In terms of popularity, Rythme Mahi is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Rythme Mahi by Roots Of Haiti, Dr. John has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rythme Mahi being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| True Life | Sandramie | E Major | 0 | 12B | 105 BPM | ||
| Yemaya | Martha Galarraga, D. Rodriguez Morales | E♭ Major | 6 | 5B | 149 BPM | ||
| Gongobila | Mahamba Xetu | D Minor | 5 | 7A | 121 BPM | ||
| Exú | Grupo Ofa | F Major | 7 | 7B | 121 BPM | ||
| Oro Seco de Tambor a Ochún | Lázaro Ros | D♭ Minor | 4 | 12A | 105 BPM | ||
| Cantos Iyesá | Lazaro Ros & Olorun | E♭ Major | 4 | 5B | 123 BPM | ||
| Olokún Wuakamashe | Lázaro Ros | D Major | 7 | 10B | 151 BPM | ||
| Yo san Pitye | Azor | D♭ Major | 8 | 3B | 162 BPM | ||
| Eleggua | Conjunto Folklorico | G Major | 5 | 9B | 189 BPM | ||
| Bravun | Alysson Bruno, Cauê Silva, Renato Pereira, Victor Eduardo | D Major | 6 | 10B | 149 BPM | ||
| Chaltata | Racine Kanga | C Minor | 6 | 5A | 77 BPM | ||
| Lague Sansu-a Bayo | Roots Of Haiti | F Minor | 7 | 4A | 151 BPM | ||
| ÀDÚRÀ ÌYÁMI ÒṢÒRÒNGÁ | Marcelo Monteiro, Dolores Lima | E♭ Major | 2 | 5B | 151 BPM | ||
| ponto de ogum bate palmas pra ogum megé das almas | luigi de oxala | A♭ Major | 2 | 4B | 102 BPM | ||
| Simitye | Racine Kanga | C Minor | 6 | 5A | 77 BPM | ||
| Tchehouenou | Denagan Janvier Honfo | B Major | 5 | 1B | 90 BPM | ||
| Ochosi / Oxossi | Mark Lamson, Michael Spiro | F♯ Major | 5 | 2B | 117 BPM | ||
| João Caveira Autoral | Alfredo de Ossayn | E♭ Minor | 6 | 2A | 89 BPM | ||
| Obatala Guiro | Bembesito | A♭ Major | 6 | 4B | 132 BPM | ||
| Ọ̀ṣọ́ọ́sì | Bàbá Kàyọ̀dé | A♭ Major | 7 | 4B | 125 BPM | ||
| Nkisi Njila / Maviletango | Tata kambondo Mona Nkisi | C Major | 4 | 8B | 104 BPM | ||
| Nkosi No. 2 / Nkosi No. 3 | Ekedi Nicinha | F♯ Major | 5 | 2B | 109 BPM | ||
| Banda Rive (Banda) | Roots Of Haiti | C Minor | 7 | 5A | 90 BPM | ||
| Eshu and Ogun | Orisha Shrines Of Trinidad & Tobago | A Minor | 6 | 8A | 108 BPM | ||
| Yemoja | Asabioje Afenapa | F♯ Major | 6 | 2B | 175 BPM |