- BPM
- 82
- Key
- G Minor
- Camelot
- 6A
So, We'll Go No More A Roving by George Gordon, Lord Byron Song Details
On 2002, the song "So, We'll Go No More A Roving" was released by George Gordon, Lord Byron. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 37 out of 46. So, We'll Go No More A Roving is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
We consider the tempo marking of So, We'll Go No More A Roving by George Gordon, Lord Byron to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.315 dB
- Acousticness
- 92%
- Danceability
- 64%
- Energy
- 31%
- Instrumentalness
- 0%
- Liveness
- 23%
- Loudness
- 76%
- Speechiness
- 26%
- Valence
- 96%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Così fan tutte, K. 588 / Act II: "Amico, abbiamo vinto!" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | |
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 | Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | |
 | Tosca / Act II: Dov'è Angelotti? (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 87 BPM | |
 | La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | |
 | Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | |
| Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | |
 | Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | |
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| NASCAR (3596) | George Gordon | D♭ Major | 5 | 3B | 95 BPM | |
 | Berlioz: Béatrice et Bénédict, H 138, Act 2: "Le vin de Syracuse" (Somarone, Chœur) | Hector Berlioz, John Nelson, Chœur de l'Opéra de Lyon, Gabriel Bacquier, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 174 BPM | |
 | Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 179 BPM | |
 | Zemlinsky: Frühlingsbegräbnis: VII. Horch! Vom Hügel (Live) | Alexander von Zemlinsky, James Conlon, Chor des Städtischen Musikvereins zu Düsseldorf, Gürzenich Orchester Köln | E♭ Major | 1 | 5B | 74 BPM | |
 | Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A♭ Major | 1 | 4B | 179 BPM | |
 | Macbeth / Act III: Fuggi, regal fantasima | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 0 | 10B | 98 BPM | |
| Grant’s Story (Doug) | George Gordon | F♯ Major | 4 | 2B | 107 BPM | |
 | Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Samuel Ramey, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 167 BPM | |
 | Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | |
 | Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | |
 | Purcell: The Fairy Queen, Z. 629, Act I: Scene of the Drunken Poet. "Fill up the Bowl" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir, Catherine Bott, Francine van der Heijden, Michael Schopper | B Minor | 0 | 10A | 78 BPM | |
 | Bellini: I puritani: "Ma tu già mi fuggi?" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records