Hans Zimmer's ' "Shush Club #3" was released on its scheduled release date, December 20, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Sherlock Holmes: A Game of Shadows (Original Motion Picture Soundtrack) [Deluxe Version]". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. The popularity of Shush Club #3 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Shush Club #3 by Hans Zimmer having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flight of the Order of the Phoenix | Nicholas Hooper | D Major | 5 | 10B | 106 BPM | ||
| Safe House | Alberto Iglesias | D Major | 1 | 10B | 131 BPM | ||
| A Lannister Always Pays His Debts | Ramin Djawadi | D Minor | 3 | 7A | 86 BPM | ||
| Flagship Confrontation I | Oleksa Lozowchuk, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| The Ninth Ride Out | Ilan Eshkeri | B♭ Major | 1 | 6B | 122 BPM | ||
| Circus | Alberto Iglesias | F♯ Minor | 1 | 11A | 170 BPM | ||
| Loki's Binding | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| The Floods | Olivier Deriviere | A Minor | 2 | 8A | 67 BPM | ||
| Corso | Wojciech Kilar | A Minor | 1 | 8A | 128 BPM | ||
| Night Talk | Visha Khan, Tune | F Minor | 3 | 4A | 115 BPM | ||
| King Arthur Orchestra Suite - Live | Hans Zimmer, Pedro Eustache, Rusanda Panfili, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 4 | 7A | 82 BPM | ||
| Chandeliers and Carnage | Sarah Schachner, Assassin's Creed | G Minor | 4 | 6A | 126 BPM | ||
| Return to France | Martin Phipps | G Minor | 4 | 6A | 156 BPM | ||
| Dirty Deeds (Land of Lions DLC) | Steffen Brinkmann, String Quartett: Bujtor Quartet | A Minor | 2 | 8A | 81 BPM | ||
| Houston | Justin Hurwitz | E♭ Minor | 2 | 2A | 132 BPM | ||
| Goblin Camp (Combat) | Jagex Audio Team, Peter Michael Davison | C Major | 1 | 8B | 89 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Hombres Como Yo | oronay | E♭ Major | 3 | 5B | 110 BPM | ||
| Fireworks | Nicholas Hooper | D Major | 5 | 10B | 100 BPM | ||
| Three’s A Crowd | Theodore Shapiro | D♭ Major | 8 | 3B | 128 BPM | ||
| Meeting Arthur / Lady Helen Possessed | Rob Lane | B♭ Major | 1 | 6B | 72 BPM | ||
| Black Sails Theme and Variations | Bear McCreary | C Major | 1 | 8B | 177 BPM | ||
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| Someone We Own | Jeff Beal | D Minor | 4 | 7A | 87 BPM | ||
| Colm Takes the Reins | Carter Burwell | A♭ Major | 1 | 4B | 115 BPM |