"Last Train to Tomorrow: Night of Breaking Glass" by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr had its release date on November 4, 2014. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 22 in Carl Davis: Last Train to Tomorrow by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Last Train to Tomorrow: Night of Breaking Glass is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Last Train to Tomorrow: Night of Breaking Glass by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forgotten Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 135 BPM | ||
| Cranford: Carter's Death | Carl Davis | G Major | 3 | 9B | 86 BPM | ||
| Alice in Wonderland, Act I: The Duchess's House | Carl Davis, Prague City Philharmonic Orchestra | G Major | 4 | 9B | 116 BPM | ||
| Tambourin | Francois-Joseph Gossec, James Galway, National Philharmonic Orchestra, Charles Gerhardt | F Major | 2 | 7B | 143 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
| Cranford: Waiting and Hoping | Carl Davis | C Major | 1 | 8B | 143 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| The End - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A♭ Minor | 1 | 1A | 109 BPM | ||
| Die tote Stadt: Tanzlied des Pierrot (Arr. Franz Willms) | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
| Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
| Then It's a Gift (End Title) | Maurice Jarre | G Major | 4 | 9B | 169 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| Riverdance, A Symphonic Suite: V. Firedance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | G Major | 3 | 9B | 96 BPM | ||
| The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
| Inspector Morse Theme | Barrington Pheloung | A Minor | 1 | 8A | 66 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
| Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
| Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| The Godfather: Main Title Theme (Arr. C. Davis) | Royal Liverpool Philharmonic Orchestra, Carl Davis | C Major | 2 | 8B | 76 BPM |