What is the BPM for Ах ты, степь широкая by Хор Сретенского монастыря?

The tempo for Ах ты, степь широкая is 80 beats per a minute with a half-time of 40 BPM and a double-time of 160 BPM.

What is the music key for Ах ты, степь широкая by Хор Сретенского монастыря?

The music key for Ах ты, степь широкая is G Major or a camelot key of 9B.

Ах ты, степь широкая by Хор Сретенского монастыря Song Details

"Ах ты, степь широкая" by Хор Сретенского монастыря had its release date on October 21, 2014. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Любимые песни. Сборник 1, so we believe that "Ах ты, степь широкая" is a single. Ах ты, степь широкая is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Ах ты, степь широкая by Хор Сретенского монастыря is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 15%
Loudness: -18.191 dB
Acousticness: 99%
Danceability: 22%
Energy: 19%
Instrumentalness: 33%
Liveness: 8%
Loudness: 70%
Speechiness: 4%
Valence: 3%

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