路德维希·范·贝多芬, 吕思清, 芦静怡's 'F大调第五小提琴奏鸣曲“春天“:第四乐章 回旋曲,勿太快的快板(Sonata for Piano and Violin No.5 in F Major, Op.24 "Spring": IV. Rondo. Allegro ma non troppo)' had a release date set for August 3, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 贝多芬小提琴奏鸣曲《春天》《克鲁采》(Beethoven: Violin Sonatas - Spring & Kreutzer), so we believe that "F大调第五小提琴奏鸣曲“春天“:第四乐章 回旋曲,勿太快的快板(Sonata for Piano and Violin No.5 in F Major, Op.24 "Spring": IV. Rondo. Allegro ma non troppo)" is a single. F大调第五小提琴奏鸣曲“春天“:第四乐章 回旋曲,勿太快的快板(Sonata for Piano and Violin No.5 in F Major, Op.24 "Spring": IV. Rondo. Allegro ma non troppo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of F大调第五小提琴奏鸣曲“春天“:第四乐章 回旋曲,勿太快的快板(Sonata for Piano and Violin No.5 in F Major, Op.24 "Spring": IV. Rondo. Allegro ma non troppo) by 路德维希·范·贝多芬, 吕思清, 芦静怡 is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 String Quartets, Op. 3: No. 5 in D Major: II. Adagio | William Shield, The Dorrit Ensemble | C Minor | 2 | 5A | 136 BPM | ||
| Arcangelo Corelli: Sonata for violin & continuo in F major, Op. 5/10 (Giga) | Arcangelo Corelli, I Solisti di Zagreb, Antonio Janigro | G Major | 3 | 9B | 115 BPM | ||
| Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
| Symphony No. 8 in D Major, K. 48: IV. Molto allegro | Wolfgang Amadeus Mozart, Folkwang Kammerorchester Essen, Johannes Klumpp | G Major | 0 | 9B | 101 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 9, Ritter vom Steckenpferd | Robert Schumann, Kenji Miura | G Major | 0 | 9B | 101 BPM | ||
| Piano Trio in A Minor, Op. 50: I. Pezzo elegiaco. Moderato assai | Pyotr Ilyich Tchaikovsky, Trio Karénine | A Major | 4 | 11B | 124 BPM | ||
| Sonata in F Major, R. 89 | Antonio Soler, Harrison Herman | F Major | 3 | 7B | 123 BPM | ||
| ブルクミュラー25の練習曲: 9. 狩 (かり) | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Sinfonia No. 1 in C Major, MWV N1: I. Allegro | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 4 | 5B | 155 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | ||
| Sinfonia concertante in E-Flat, K.364: Andante | Wolfgang Amadeus Mozart, Jascha Heifetz, William Primrose, RCA Victor Symphony Orchestra, Izler Solomon | A Minor | 2 | 8A | 94 BPM | ||
| 16:あまいなげき(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | G Minor | 1 | 6A | 100 BPM | ||
| Concerto for 3 Pianos in F Major, K. 242 "Lodron" (Version for 2 Pianos & Orchestra): III. Rondeau. Tempo di minuetto | Wolfgang Amadeus Mozart, Fiammetta Tarli, Ivo Varbanov, Muhai Tang, English Chamber Orchestra | F Major | 1 | 7B | 136 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| A大调第九钢琴与小提琴奏鸣曲“克鲁采“:第一乐章 持续的慢板——急板(Sonata for Piano and Violin No.9 in A Major, Op.47 "Kreutzer": I. Adagio sostenuto - Presto) | 路德维希·范·贝多芬, 黄蒙拉, 薛颖佳 | A Major | 2 | 11B | 84 BPM | ||
| Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | G Major | 0 | 9B | 101 BPM | ||
| Piano Sontata in D Major, Op. 16 "La chasse": III. Allegro assai | Muzio Clementi, Rodolfo Leone | G Major | 0 | 9B | 123 BPM | ||
| Rossini: Sonate a quattro No. 3 in C Major: I. Allegro | Gioachino Rossini, Claudio Scimone, I Solisti Veneti | E♭ Major | 1 | 5B | 89 BPM | ||
| String Quartet in D Major, Op. 44, No. 1, MWV R 30: III. Andante espressivo ma con moto | Felix Mendelssohn, Emerson String Quartet | B Minor | 0 | 10A | 122 BPM | ||
| Waldszenen, Op. 82: No. 9, Abschied (Transcr. Soltani for Cello and Piano) | Robert Schumann, Kian Soltani, Julien Quentin | E♭ Minor | 2 | 2A | 81 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Tibor Varga, Philharmonia Orchestra, Walter Susskind | G Major | 0 | 9B | 101 BPM | ||
| Sonata in A Major, K. 113 - Duca 1958 | Domenico Scarlatti, Peter Phillips, Leandro Criscuolo | E♭ Major | 1 | 5B | 80 BPM | ||
| Trio In G Major, K. 496: VIII. Variation 5 | Wolfgang Amadeus Mozart, Gryphon Trio | G Major | 1 | 9B | 78 BPM | ||
| Air De Ballet. Op. 41. Pierrette - Duo-Art 69550 | Cécile Chaminade, Harold Bauer, Peter Phillips | A Minor | 1 | 8A | 71 BPM | ||
| Sonata in G Minor, Op. 105: III. Presto | Felix Mendelssohn, Frederic Chiu | B♭ Major | 1 | 6B | 125 BPM |