On May 24, 2002, the song "Mahara Ram Raghunath" was released by Renuka Mathur, Pramila, Swati, Chorus. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Rajasthani Loknritya Geet Vol-12". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Mahara Ram Raghunath is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mahara Ram Raghunath by Renuka Mathur, Pramila, Swati, Chorus having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kali Stotram | Ramakrishna Math, Swami Sarvagananda | F Minor | 5 | 4A | 184 BPM | ||
| Petasaar Havange Aaj | Anuradha Nirala, Narendra Singh Negi, Meena Rana | F♯ Minor | 2 | 11A | 88 BPM | ||
| लाल पीली अखियां | Khanak | F Major | 10 | 7B | 180 BPM | ||
| Tum Bhi Suna | Narendra Singh Negi, Geetika Aswal | E Minor | 8 | 9A | 85 BPM | ||
| Jagrate Ki Raat | Manish Tiwari | A♭ Major | 6 | 4B | 144 BPM | ||
| Radha Radha Kirtan | Kunj Bihari Das | C Major | 6 | 8B | 160 BPM | ||
| Satguru Awaazan Maarde | Sher Singh | C Major | 6 | 8B | 84 BPM | ||
| Chunariya Laide Re Balma Bundeli Faag Rai | Ramesh Vishwakarma | F Minor | 7 | 4A | 135 BPM | ||
| Ghumer Ko Lehango | Renuka Mathur, Pramila, Swati, Chorus | F Minor | 5 | 4A | 80 BPM | ||
| Aathwa Adhyay | Maaruti Mohataa | E♭ Major | 6 | 5B | 108 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Devar Mharo Re | Renuka Mathur, Promila, Seema Raj, Pop Shalini, Rama | D♭ Major | 5 | 3B | 134 BPM | ||
| Darbar Me Shirdi Wale Ki Dukh Dard Mitaye Jate Hai | Paras Jain | F♯ Minor | 9 | 11A | 109 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Chal Chandrapur Jabo | Dukalu Yadav | A♭ Minor | 9 | 1A | 80 BPM | ||
| Jai Jai Ramji Ki Bol | Shahid Mallya | E Major | 4 | 12B | 75 BPM | ||
| Bhole Biraj Main Aa Gaye Hai | Manish Tiwari | F♯ Minor | 5 | 11A | 85 BPM | ||
| Eshwaramba Priya Nandana | Sri Sathya Sai Bhajans | D Major | 6 | 10B | 87 BPM | ||
| Tukdi Chhai Na Sukhadi Chhai | Narendra Singh Negi, Anuradha Nirala | F♯ Major | 4 | 2B | 104 BPM | ||
| Barsane Ki Chhori Radha Gori Gori | Nidhi Dholakia | E Major | 7 | 12B | 114 BPM | ||
| Aaj Mhare Himaadu | Geeta Goswami | G Major | 9 | 9B | 190 BPM | ||
| Nimboli | Renuka Mathur, Pramila, Swati Dutta, Seema Raj, Parul | G Major | 5 | 9B | 157 BPM | ||
| MERI CHELI HIRU BANA | Pappu Karki | A♭ Major | 9 | 4B | 118 BPM | ||
| Bane Dulha Chabi Dekho Bhagwan Ki Bundeli Vivah Gari | Urmila Pandey | D♭ Major | 7 | 3B | 158 BPM | ||
| Shyam Teri Tirchi Najariya | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | A Minor | 5 | 8A | 146 BPM |