Irene Reid's 'Thanks to You' had a release date set for June 8, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Thanks to You". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Thanks to You is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Thanks to You by Irene Reid having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Over Here and Treat Me Right | Louise Balkwill | D♭ Major | 2 | 3B | 141 BPM | ||
| I Hear Music | Dakota Staton | F Minor | 5 | 4A | 96 BPM | ||
| It Ain't What You're Thinkin' | Jimmy Witherspoon | G Major | 2 | 9B | 144 BPM | ||
| That's All Right | Mose Allison | D♭ Major | 2 | 3B | 141 BPM | ||
| Never Make Your Move Too Soon | Ernestine Anderson | C Minor | 4 | 5A | 119 BPM | ||
| Baby Doll - Mono | LaVern Baker | A♭ Major | 5 | 4B | 74 BPM | ||
| It Could Happen to You | Michael Dease, Benny Benack III, Jack Trathen, Miles Cole | D♭ Major | 2 | 3B | 141 BPM | ||
| The Darker It Gets | Charlie Gabriel, Preservation Hall Jazz Band | B♭ Major | 5 | 6B | 153 BPM | ||
| Money's Gettin' Cheaper | Jimmy Witherspoon | G Minor | 5 | 6A | 132 BPM | ||
| Valerie | Martin Lechner | A♭ Major | 3 | 4B | 108 BPM | ||
| No Rolling Blues | Jimmy Witherspoon | A♭ Major | 2 | 4B | 83 BPM | ||
| Yes You Cheated | Augustine Robinson | D♭ Major | 2 | 3B | 141 BPM | ||
| Tight - Live At Bradshaw's Great American Music Hall, San Francisco/1979 | Betty Carter | D Major | 3 | 10B | 132 BPM | ||
| Goin' To Chicago Blues | Ernestine Anderson | F Major | 3 | 7B | 134 BPM | ||
| I Don't Care Who Knows - Single Version | Koko Taylor | C Major | 7 | 8B | 129 BPM | ||
| Life | Jackaa | D♭ Major | 2 | 3B | 141 BPM | ||
| Loves Melody | Crimson Beats | D♭ Major | 5 | 3B | 106 BPM | ||
| Widow Song | Nnenna Freelon, Keith Ganz | D Minor | 3 | 7A | 155 BPM | ||
| Melodies of Love | Crimson Beats | D♭ Major | 1 | 3B | 76 BPM | ||
| You Send Me - Live In Montreux, Switzerland/1991 | Rachelle Ferrell | F Minor | 3 | 4A | 147 BPM | ||
| Siince I Fell for You | Austyn Ziemann | C Major | 1 | 8B | 184 BPM | ||
| Darn That Dream - Live In Los Angeles, 1954 | Clifford Brown All Stars, Dinah Washington | G Minor | 3 | 6A | 80 BPM | ||
| STORMY MONDAY BLUES | Bobby "Blue" Bland | D♭ Major | 2 | 3B | 141 BPM | ||
| A Sleepin´ Bee | Al Jarreau | E Minor | 8 | 9A | 148 BPM | ||
| One Monkey Don't Stop No Show | Irene Reid, Eric Alexander | F Major | 4 | 7B | 129 BPM |