R. Stevie Moore's ' "Melbourne" was released on its scheduled release date, November 13, 1988. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Warning by R. Stevie Moore. The song's track number on the album is #10 out of 14 tracks. Based on our statistics, Melbourne's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Melbourne by R. Stevie Moore has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Melbourne being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Should I Love You | R. Stevie Moore | D♭ Minor | 8 | 12A | 154 BPM | ||
| Hook or Crook | Alex Chilton | G Major | 7 | 9B | 121 BPM | ||
| Now She's Gone | Felt | E Minor | 6 | 9A | 70 BPM | ||
| She Is Beyond Good and Evil | The Pop Group | G Major | 6 | 9B | 126 BPM | ||
| Night At The Asylum | Bobb Trimble | B Minor | 6 | 10A | 124 BPM | ||
| Blow Job | Bruce Haack | E♭ Major | 6 | 5B | 82 BPM | ||
| Snakes Crawl | Bush Tetras | A Major | 7 | 11B | 126 BPM | ||
| Melancholy Man | The Wake | A Minor | 7 | 8A | 159 BPM | ||
| One Mile From Heaven - Short Version | Bobb Trimble | D Major | 5 | 10B | 99 BPM | ||
| Don't Touch My Bikini | The Halo Benders | A Minor | 9 | 8A | 118 BPM | ||
| Every Night I Die at Miyagis | Ariel Pink | F♯ Major | 8 | 2B | 166 BPM | ||
| Time | Richard Hell | C Major | 9 | 8B | 119 BPM | ||
| Twilight In Boston | Jonathan Richman | G Major | 0 | 9B | 102 BPM | ||
| Janitor | Suburban Lawns | A Major | 6 | 11B | 98 BPM | ||
| Freudian Slip | Ulrika Spacek | F Minor | 5 | 4A | 196 BPM | ||
| Growing Concern | Land of the Loops | D Major | 6 | 10B | 114 BPM | ||
| After Sunset | The Cowboys | G Major | 8 | 9B | 132 BPM | ||
| I Had Too Much to Dream Last Night | The Space Lady | D♭ Minor | 3 | 12A | 134 BPM | ||
| Parties in Chelsea | Television Personalities | D Major | 6 | 10B | 142 BPM | ||
| Ocean House | Parsley Sound | C Major | 3 | 8B | 135 BPM | ||
| Crush the Flowers | The Wake | C Major | 9 | 8B | 97 BPM | ||
| That's Where the Sin Is | Minimal Man | F♯ Minor | 7 | 11A | 76 BPM | ||
| No Golden Throat | Lizzy Mercier Descloux | G Major | 6 | 9B | 83 BPM | ||
| On Our Honeymoon | The Wake | B♭ Minor | 6 | 3A | 171 BPM | ||
| Cool Daddio | R. Stevie Moore | A♭ Major | 9 | 4B | 80 BPM |