How Long Has That Evening Train Been Gone
Diana Ross & The Supremes
The Supremes: Box Set
2:45 January 1, 2000
BPM
89
Key
B♭ Minor
Camelot
3A

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How Long Has That Evening Train Been Gone by Diana Ross & The Supremes Song Details

Diana Ross & The Supremes's ' "How Long Has That Evening Train Been Gone" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. How Long Has That Evening Train Been Gone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 89 in the song's album "The Supremes: Box Set". In this album, this song's track order is #8. How Long Has That Evening Train Been Gone is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With How Long Has That Evening Train Been Gone by Diana Ross & The Supremes having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.811 dB
Acousticness
22%
Danceability
59%
Energy
62%
Instrumentalness
0%
Liveness
19%
Loudness
84%
Speechiness
5%
Valence
70%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records