Rudy Ray Moore's ' "Signifying Monkey" was released on its scheduled release date, August 9, 2011. At 8 minutes and 13 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. The song is number 7 out of 10 in Black Dolemite (Soundtrack) by Rudy Ray Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Signifying Monkey is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Signifying Monkey by Rudy Ray Moore is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Step It Up And Go | Rudy Ray Moore | D♭ Major | 7 | 3B | 77 BPM | ||
| Soul Strokes | Syl Johnson | D Major | 8 | 10B | 108 BPM | ||
| Youngblood (Livin' In The Streets) | War | C Major | 7 | 8B | 112 BPM | ||
| Mack Man (Got To Get Over) - The Mack/Soundtrack Version | Willie Hutch | G Major | 6 | 9B | 122 BPM | ||
| Super Sporm | Captain Sky | G Major | 7 | 9B | 115 BPM | ||
| I've Been to the Mountaintop (April 3, 1968), Pt. 9 | Martin Luther King, Jr. | F♯ Major | 6 | 2B | 119 BPM | ||
| Volcano Rupture | Slave | D Major | 5 | 10B | 115 BPM | ||
| Nappy | Brides Of Funkenstein | D♭ Minor | 8 | 12A | 174 BPM | ||
| Road Without an End | Charles Wright & The Watts 103rd Street Rhythm Band | F Major | 4 | 7B | 111 BPM | ||
| Shine & The Great Titanic | Rudy Ray Moore | B Minor | 9 | 10A | 134 BPM | ||
| (Do The) Push And Pull - Pts 1 & 2 | Rufus Thomas | F Minor | 7 | 4A | 105 BPM | ||
| Why Can't People Be Colors Too | The Whatnauts | F Minor | 6 | 4A | 97 BPM | ||
| Ain't It Hell Up In Harlem | Edwin Starr | B♭ Minor | 8 | 3A | 120 BPM | ||
| Headless Heroes | Eugene McDaniels | C Minor | 6 | 5A | 102 BPM | ||
| True Love | Faze-O | C Major | 8 | 8B | 131 BPM | ||
| I Keep Asking You Questions | Black Ivory | D Major | 8 | 10B | 108 BPM | ||
| A Joyful Process | Funkadelic | E Minor | 8 | 9A | 96 BPM | ||
| I Need Some Money | Eddie Harris | B♭ Minor | 8 | 3A | 120 BPM | ||
| Do You Feel It | Velour Calder | C Major | 7 | 8B | 104 BPM | ||
| Git On Up And Do It | Rufus Thomas | B♭ Minor | 7 | 3A | 96 BPM | ||
| The Sensuous Black Woman | Rudy Ray Moore | E Minor | 4 | 9A | 83 BPM | ||
| Ride, Sally, Ride | Dennis Coffey | F♯ Minor | 8 | 11A | 117 BPM | ||
| The Jam | Graham Central Station | B Minor | 8 | 10A | 108 BPM | ||
| Jagger the Dagger | Eugene McDaniels | C Major | 3 | 8B | 89 BPM | ||
| Every Saturday Night | Ray Charles | F Major | 8 | 7B | 175 BPM |