Men Have Become Monsters by Austin Wintory Song Details

"Men Have Become Monsters" by Austin Wintory had its release date on October 23, 2015. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Men Have Become Monsters's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 36 in Assassin's Creed Syndicate (Original Game Soundtrack) by Austin Wintory. Men Have Become Monsters is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Men Have Become Monsters by Austin Wintory is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-17.487 dB
Acousticness
70%
Danceability
19%
Energy
23%
Instrumentalness
83%
Liveness
8%
Loudness
71%
Speechiness
3%
Valence
4%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Damned Souls by Piotr MusiałDamned SoulsPiotr MusiałE Minor49A76 BPM
Our Beloved Bee by Benjamin WallfischOur Beloved BeeBenjamin WallfischA♭ Major04B59 BPM
Gideon's Row by Derek Duke, Diablo, Blizzard EntertainmentGideon's RowDerek Duke, Diablo, Blizzard EntertainmentC Major28B102 BPM
Telegraph by Dominik ScherrerTelegraphDominik ScherrerE Minor19A133 BPM
Key's Chase by Fernando VelázquezKey's ChaseFernando VelázquezD♭ Minor412A166 BPM
Woedica by Justin BellWoedicaJustin BellE Minor29A133 BPM
Petrified Temple by The Flight, Assassin's CreedPetrified TempleThe Flight, Assassin's CreedB♭ Major36B74 BPM
Dominant Species by Elitsa AlexandrovaDominant SpeciesElitsa AlexandrovaD Minor27A100 BPM
Buzzkill - Kara by Philip SheppardBuzzkill - KaraPhilip SheppardB♭ Major76B128 BPM
First to Fall by Brandon BooneFirst to FallBrandon BooneF Minor14A73 BPM
The Docks by Winifred Phillips, Assassin's CreedThe DocksWinifred Phillips, Assassin's CreedD♭ Major23B78 BPM
She's Not Here by Nao SatoShe's Not HereNao SatoD♭ Major43B138 BPM
Dolls Have Hearts by Abel KorzeniowskiDolls Have HeartsAbel KorzeniowskiE Minor39A121 BPM
Right Behind You by Abel KorzeniowskiRight Behind YouAbel KorzeniowskiG Minor16A78 BPM
Dark Ones by Alexey OmelchukDark OnesAlexey OmelchukD Major410B69 BPM
Ritual casting by joseph bisharaRitual castingjoseph bisharaA♭ Major14B60 BPM
I'll Be with You by Brian Tyler, Assassin's CreedI'll Be with YouBrian Tyler, Assassin's CreedB♭ Major36B84 BPM
Reaching the Shores (Bonus Track) by Piotr MusiałReaching the Shores (Bonus Track)Piotr MusiałE Minor39A90 BPM
Crisis by Shusaku UchiyamaCrisisShusaku UchiyamaG Major49B84 BPM
Work of the Devil by Trevor Morris, Trey ToyWork of the DevilTrevor Morris, Trey ToyC Major58B95 BPM
Cave Theme by Marcin PrzybyłowiczCave ThemeMarcin PrzybyłowiczG Major39B132 BPM
Where Dreams Become Nightmares by Brad DerrickWhere Dreams Become NightmaresBrad DerrickE Minor69A125 BPM
Missy's Theme - Extended by Murray GoldMissy's Theme - ExtendedMurray GoldA Minor28A75 BPM
The Hunter by Elitsa Alexandrova, Assassin's CreedThe HunterElitsa Alexandrova, Assassin's CreedB♭ Minor43A114 BPM
The Nest - Connor by Nima FakhraraThe Nest - ConnorNima FakhraraE Minor19A138 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records