Bhakta Raj Aacharya's ' "Bajirahechha Bansuri" was released on its scheduled release date, January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Bhajanmala by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Bajirahechha Bansuri is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bajirahechha Bansuri by Bhakta Raj Aacharya is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hentha Kaligala Idu | Basamma Hiremath | E♭ Major | 7 | 5B | 129 BPM | ||
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| Mone Pare Sei Din | Indranil Sen | E♭ Major | 3 | 5B | 83 BPM | ||
| Hegiddaru | Vishnuvardhan, Renuka, Sathyam, Chi. Udayashankar | D Major | 8 | 10B | 120 BPM | ||
| Aankh Mein Suratiya | Chandrani Mukherjee | F Major | 4 | 7B | 101 BPM | ||
| Ghadyalan Vajle Sade Go Bara | Krishna Shinde, Shakuntala Jadhav, Ramdas Patil | C Minor | 3 | 5A | 134 BPM | ||
| Mu Jauthili | Akshaya Mohanty | F Major | 5 | 7B | 90 BPM | ||
| Basan Paro Ma Basan Paro | Pannalal Bhattacharya | B Major | 3 | 1B | 61 BPM | ||
| Pareli Ma Aai | Kavita Krishnamurthy | G Major | 6 | 9B | 86 BPM | ||
| Priya Cheliya | K. J. Yesudas, P. Susheela, Ravindra Jain, C. Narayana Reddy | C Major | 3 | 8B | 178 BPM | ||
| Sun Haraye | Jeevan Shrestha, Gulam Ali | C Major | 6 | 8B | 73 BPM | ||
| Hari Bhajane Mado | Bhimsen Joshi | A♭ Major | 5 | 4B | 107 BPM | ||
| Hai Hai Hai Khal Kete Kumir | Udit Narayan, Priya Bhattacharya | C Major | 8 | 8B | 94 BPM | ||
| Ek Nayika Ekai Chilo | Mrinal Banerjee, Asha Bhosle | D♭ Major | 7 | 3B | 79 BPM | ||
| Khorang Khwlaikhe | Biswanath Debbarma, Manadebi Jamatia | B Minor | 4 | 10A | 72 BPM | ||
| Phoolai Fulyo | Shambhu Rai | G Minor | 6 | 6A | 134 BPM | ||
| Chitta Nirantar | Koili Devi | A Major | 4 | 11B | 96 BPM | ||
| Ne Kaandibaa Ne Kaandibaa | Bhupen Hazarika | B Major | 3 | 1B | 140 BPM | ||
| Platinum Series-1 - Thahai Bhayena | Hari Karmacharya (The Gloomy Guys) | D Major | 6 | 10B | 132 BPM | ||
| Ekati Tujhyavin Rahu Kashi | Asha Bhosle | D♭ Minor | 4 | 12A | 174 BPM | ||
| Nile Gagan Ki Chilman Se | Brahma Kumaris | F Major | 5 | 7B | 89 BPM | ||
| Sukh Yeta Majhya Dari | Lata Mangeshkar | B Minor | 2 | 10A | 100 BPM | ||
| Kon Daler Pakhire | Subir Nandi | A♭ Major | 5 | 4B | 181 BPM | ||
| Parkhi Base Aaulaa Bhani | Narayan Gopal | A Minor | 4 | 8A | 105 BPM | ||
| Aar Bujhite Pari Na | Arundhati Holme Chowdhury, Salil Chowdhury | B♭ Major | 3 | 6B | 131 BPM |