"Pomposo" by The Symphonic Strings had its release date on September 28, 2018. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 20 All Time Classical Greats, so we believe that "Pomposo" is a single. Based on our statistics, Pomposo's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Pomposo by The Symphonic Strings is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raymonda, Act II: Entrees des garçons Arbes | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 2 | 10B | 84 BPM | ||
| Dance Of The Cygnets | Westminster Concert Orchestra | D Major | 3 | 10B | 72 BPM | ||
| Julius Fučík: Entry of the Gladiators, Op. 68 (Arr. for Piano) | Julius Fučík, Sequence Classics | C Major | 4 | 8B | 120 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Harlequinade | Iraida Minkus | E Major | 1 | 12B | 93 BPM | ||
| Waltz No.2 | Cihat Aşkın | G Major | 8 | 9B | 85 BPM | ||
| Inocente Galindo | Zarahuato | E♭ Major | 0 | 5B | 80 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Cipollino, Act II Scene 4: Dance of Cherries Countesses | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Allegretto: Women's Variation [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 128 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 14, Flute Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 2 | 11B | 75 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Die lustige Witwe (the Merry Widow): The Merry Widow Waltz [arr. R. Hayman] | Franz Lehár, Richard Hayman Symphony Orchestra, Richard Hayman | D Major | 1 | 10B | 126 BPM | ||
| Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM | ||
| Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 4 | 5B | 130 BPM | ||
| La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
| Sylvia - Ballet Suite: Pizzicato | Vienna Volksoper Orchestra & Josef Leo Gruber | E♭ Major | 1 | 5B | 134 BPM | ||
| Danse Bacchanale | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM |