Hiroshi Itsuki's ' "べにばな" was released on its scheduled release date, 0000. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ベストセレクションⅠ(1971-1994)~よこはま・たそがれ~, so we believe that "べにばな" is a single. The popularity of べにばな is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of べにばな by Hiroshi Itsuki is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 放浪ごころ | Yutaka Yamakawa | A Minor | 4 | 8A | 177 BPM | ||
| 誘惑のスキャンダル | 瀬口侑希 | A♭ Minor | 7 | 1A | 124 BPM | ||
| 面影の郷 | Hiroshi Itsuki | C Major | 5 | 8B | 104 BPM | ||
| 山 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM | ||
| のぼり坂 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM | ||
| 二人の世界 | 山口かおる, Keisuke Hama | C Minor | 6 | 5A | 199 BPM | ||
| かえり道 | Yuko Nagisa | A Minor | 3 | 8A | 136 BPM | ||
| いつもそばにいるよ | Natsuko Godai, Ayako Fuji | A Major | 4 | 11B | 138 BPM | ||
| 追分みなと | 杜このみ | E♭ Minor | 4 | 2A | 119 BPM | ||
| こころの絆~明日を信じて~ | 山本譲二 | B Minor | 6 | 10A | 141 BPM | ||
| ふたりきり | Nobue Matsubara | F Major | 6 | 7B | 184 BPM | ||
| 男が背広を捨てるとき | 山本譲二 | F Minor | 4 | 4A | 132 BPM | ||
| 二日月 | Kumi Iwamoto | A♭ Minor | 5 | 1A | 148 BPM | ||
| 紅い雪 | 長山洋子 | A♭ Minor | 5 | 1A | 118 BPM | ||
| 新妻鏡 | Eisaku Okawa | F Minor | 2 | 4A | 137 BPM | ||
| 尾張城下の泣かせ雨 | Keisuke Yamauchi | D Minor | 6 | 7A | 120 BPM | ||
| なみだ雲 | 川野夏美 | B Minor | 5 | 10A | 120 BPM | ||
| 流氷鳴き | Keisuke Yamauchi | E♭ Minor | 6 | 2A | 83 BPM | ||
| 望楼 (ぼうろう) の果て | Jiro Kanmuri | E Minor | 6 | 9A | 105 BPM | ||
| 海を渡る蝶 | キム・ヨンジャ | B♭ Major | 6 | 6B | 154 BPM | ||
| みちのくの花 | Ryuko Mizuta | E♭ Minor | 6 | 2A | 78 BPM | ||
| 別れの鐘の音 | Hiroshi Itsuki | F Major | 4 | 7B | 78 BPM | ||
| Hisame | Masako Mori | F Minor | 4 | 4A | 79 BPM | ||
| シアワセをありがとう | 入山アキ子 | G Minor | 7 | 6A | 99 BPM | ||
| ブルーナイト・イン札幌 | Shinichiro Hakozaki | G Minor | 4 | 6A | 87 BPM |