Caro Emerald's ' "Coming Back As A Man" was released on its scheduled release date, May 3, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Shocking Miss Emerald". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Coming Back As A Man is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Coming Back As A Man by Caro Emerald having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paris | Caro Emerald | E Minor | 4 | 9A | 163 BPM | ||
| Why Don't You Do Right | Beth Hart, Joe Bonamassa | D Minor | 7 | 7A | 106 BPM | ||
| Volcano | Jojo Effect | D Minor | 8 | 7A | 121 BPM | ||
| Showtime | Kormac | A Minor | 7 | 8A | 117 BPM | ||
| Bang Bang Boom Boom | Beth Hart | C Major | 7 | 8B | 104 BPM | ||
| Turn It Off | Luke & The Belleville Orchestra | C Major | 8 | 8B | 110 BPM | ||
| You're The Boss | The Brian Setzer Orchestra | C Major | 5 | 8B | 125 BPM | ||
| Diggin' | Kovacs | F♯ Minor | 7 | 11A | 83 BPM | ||
| I Shouldn't I Wouldn't | Anne Schnell, Jojo Effect | F Minor | 3 | 4A | 114 BPM | ||
| Big Band (Electro Swing English Radio Edit) [feat. Nicolle Rochelle, Pete Thomas & the Horns-a-Plenty] | Bart & Baker, Nicolle Rochelle, Pete Thomas, the Horns-a-plenty | B♭ Minor | 7 | 3A | 108 BPM | ||
| Glam - Electro-swing Remix | Dimie Cat | C Minor | 9 | 5A | 110 BPM | ||
| Time for Tea | 11 Acorn Lane | A Minor | 8 | 8A | 127 BPM | ||
| Dixie Biscuits | Tape Five, Henrik Wager | F Minor | 8 | 4A | 98 BPM | ||
| Lovin Bug Itch | Kid Kasino, Shea | D♭ Major | 7 | 3B | 116 BPM | ||
| Crazy in Love - Electro Swing Version | Swing Republic, Karina Kappel | G Major | 7 | 9B | 202 BPM | ||
| These Boots Are Made for Walking - Urban Version | Zouzoulectric | C Minor | 7 | 5A | 150 BPM | ||
| Playing with Fire | Little Violet | G Minor | 7 | 6A | 105 BPM | ||
| My Cake | Haley Reinhart | B♭ Minor | 9 | 3A | 122 BPM | ||
| The Lipstick On His Collar | Caro Emerald | G Minor | 5 | 6A | 118 BPM | ||
| The Hit and the Swing | Bebo Best, The Super Lounge Orchestra | F Minor | 9 | 4A | 107 BPM | ||
| Hit The Road Jack | Casey Abrams, Haley Reinhart | E Minor | 6 | 9A | 78 BPM | ||
| Is That Too Much to Ask (feat. Nina Zeitlin) | Biboulakis, Nina Zeitlin | D Major | 5 | 10B | 126 BPM | ||
| Just a Little Bit | Tom Gaebel | F Minor | 9 | 4A | 96 BPM | ||
| Big Beat | Touch & Go | B♭ Minor | 9 | 3A | 200 BPM | ||
| Cherry Pie | Katzenjammer | F Major | 6 | 7B | 177 BPM |