"When We Met" by Jonathan Bree had its release date on April 14, 2023. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Pre-Code Hollywood". In this album, this song's track order is #3. Furthermore, we believe that the track originated from New Zealand. In terms of popularity, When We Met is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With When We Met by Jonathan Bree having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bored At a Mall | Jonathan Bree | D Major | 5 | 10B | 80 BPM | ||
| Shapes and Colors | The Sweet Serenades | B Major | 7 | 1B | 150 BPM | ||
| Average Boy | Nightbus | D Major | 7 | 10B | 120 BPM | ||
| I Hope You Die | Molly Nilsson | E Minor | 5 | 9A | 80 BPM | ||
| Let It Burn | Le Blonde | F♯ Major | 9 | 2B | 137 BPM | ||
| This World Is Empty (Without You) | The Raveonettes | G Minor | 9 | 6A | 135 BPM | ||
| Insecurities | Odd Beholder | E Minor | 7 | 9A | 120 BPM | ||
| DRGS | Minuit Machine | B♭ Minor | 8 | 3A | 114 BPM | ||
| Go | Michelle Gurevich | F Minor | 9 | 4A | 118 BPM | ||
| Friend Machine | Nation of Language | B Minor | 6 | 10A | 128 BPM | ||
| Do It | Camp Claude, Diane Sagnier, Rocket Mike, Leo Hellden | A♭ Major | 8 | 4B | 154 BPM | ||
| A Kiss Before Dying | Still Corners | E Minor | 8 | 9A | 162 BPM | ||
| Laptop | Jonathan Bree | D♭ Major | 6 | 3B | 88 BPM | ||
| Falling In Love With You | VOITH | C Minor | 7 | 5A | 126 BPM | ||
| Sunday Morning | Juno Francis, Alejandro Molinari | A Minor | 5 | 8A | 119 BPM | ||
| I Want You | Stacks | C Major | 2 | 8B | 120 BPM | ||
| Reality | Nation of Language | E♭ Major | 5 | 5B | 110 BPM | ||
| Sleep Still | Ari Mason | F♯ Minor | 5 | 11A | 105 BPM | ||
| Mountain Time | Molly Nilsson | G Minor | 7 | 6A | 107 BPM | ||
| too far | Wallners | B Minor | 5 | 10A | 120 BPM | ||
| Stomping White Horses | Phillip Boa And The Voodooclub | F♯ Major | 7 | 2B | 103 BPM | ||
| Blue Morning | Lone Assembly | E♭ Minor | 6 | 2A | 130 BPM | ||
| One Second | Tying Tiffany | F Minor | 8 | 4A | 115 BPM | ||
| Tears | Fragrance | F♯ Minor | 7 | 11A | 120 BPM | ||
| Destroyer | TR/ST | C Major | 5 | 8B | 140 BPM |