Kopf shulter knie und zeh by Die Räder vom Bus, Funkel Funkel Kleiner Stern, Bruder Jakob, Die Klitzekleine Spinne, Backe Backe Kuchen un Mehr Reime Song Details

Die Räder vom Bus, Funkel Funkel Kleiner Stern, Bruder Jakob, Die Klitzekleine Spinne, Backe Backe Kuchen un Mehr Reime's 'Kopf shulter knie und zeh' had a release date set for October 1, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 12 in Die Räder vom Bus by Die Räder vom Bus. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Kopf shulter knie und zeh's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Kopf shulter knie und zeh by Die Räder vom Bus, Funkel Funkel Kleiner Stern, Bruder Jakob, Die Klitzekleine Spinne, Backe Backe Kuchen un Mehr Reime is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -19.74 dB
Acousticness: 100%
Danceability: 68%
Energy: 4%
Instrumentalness: 94%
Liveness: 15%
Loudness: 67%
Speechiness: 8%
Valence: 38%

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